Because we’re a nice bunch of young twenty-somethings and we like nothing more than meeting people in person and sluicing back a few mid-week drinks we decided it might not be a bad idea to have a little bit of a party to celebrate the launch of the Winter issue of Printed Pages. So we had a word with our friends at the Goodhood store, put some beers on ice and piled the free magazines high for an evening of festive cheer.
All of this issue’s fantastic talent came down to wet the mag’s head alongside a bunch of old friends and collaborators, plus we made a whole heap of new friends in the process. So thank you all for being there, and for those of you who couldn’t make it we’ll be sure to get a few more of you down next time. Here’s to another great issue!
- Louise Bonnet paints exaggerated bodies as symbols of melancholy and loneliness
- Mathieu Larone illustrates the "elusive liminal space between the cryptic and the understandable"
- Micaiah Carter interprets Uniqlo’s linen range with a sultry sun-drenched shoot
- We take a look back at the best stories of the year to date
- Atelier Brenda and Amélie Bakker create “squidgy” identity for Beursschouwburg
- Thomas Pratt photographs the effects of religion, natural disaster and globalisation on an island community
- Pornhub decides to try out beesexuality with new awareness campaign
- “The time just feels right”: Stuart Brumfitt and Mirko Borsche, editor and designer of The Face, on its relaunch
- Graphic designer Shao Nian's portfolio ranges from academic publishing to experimental magazines
- Daniel Gebhart de Koekkoek recreates the ingenious yet useless inventions of Chindōgu
- The Washington Post's climate change issue features 24 equally important covers
- Philip Gerald's lowbrow, crude paintings are a reflection of his views on the art world