Because we’re a nice bunch of young twenty-somethings and we like nothing more than meeting people in person and sluicing back a few mid-week drinks we decided it might not be a bad idea to have a little bit of a party to celebrate the launch of the Winter issue of Printed Pages. So we had a word with our friends at the Goodhood store, put some beers on ice and piled the free magazines high for an evening of festive cheer.
All of this issue’s fantastic talent came down to wet the mag’s head alongside a bunch of old friends and collaborators, plus we made a whole heap of new friends in the process. So thank you all for being there, and for those of you who couldn’t make it we’ll be sure to get a few more of you down next time. Here’s to another great issue!
- Why should you apply to The Graduates 2019? Three grads tell us how it helped their career
- “I absolutely hated it”: Heath West on why he left architecture for the art industry
- Hubert Crabières captures a brilliantly absurd celebrating family for Edicola
- Illustrator Holly St Clair uses the rhythm of a joke in her portfolio of sculptures, textiles and prints
- Jules Durand aims to “design cool new fonts” beyond the Latin alphabet
- For Alice Franchetti, graphic design is the sweet spot where maths and intuition meet
- How Pelle Cass creates his jarring “still time-lapse” images
- Mozilla gives Firefox a new look that goes beyond the logo
- Spotify wants you to listen to more podcasts, so it's redesigned its app
- Say a sustainable hello to the world’s first fully compostable trainer
- Illustrator Faye Moorhouse has made a trilogy of zines about her cat
- Applications are now open for The Graduates 2019!