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Radical Essex is a publication that aims to uproot the county’s misguided stereotypes

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Date
17 July 2018

Essex as a county has been historically judged by misguided stereotypes, summed up in the Spitting Image’s anthem, Essex is Crap. Radical Essex is an ongoing project dating back to 2016 that aims to uproot these malignant categorisations; it “re-examines the history of the county concerning radicalism in thought, lifestyle, politics and architecture, and sheds light on the region’s vibrant, pioneering thinking throughout the twentieth century”.

At the end of June, Radical Essex was released in stunning printed form by Focal Point Gallery in Southend-on-Sea. The publication seeks to tell “an alternate story”, to what we’d classically hear in The Only Way Is Essex. At times images are tiled upon beautiful pages of marbled ink, which see branches of pink, blue and green spread out like landforms. The custom typeface, designed by Fraser Muggeridge Studio, has been morphed subtly and simply; with the "o"s often replaced by diamonds, suggesting mystic and alternative roots. The book explores and “celebrates the extremes of this innovative and experimental county”, Joe Hill, co-editor explains. “From early modernist architectural experiments to worker colonies and pacifist communities”. Trapped between the city and sea, Essex became a “form of escape, a testing ground for experimental ways of living”. Examples include Tolstoyan communes, the anarchist-pacifist open house Dial House and the religious retreat of Othona Community.

The publication is accompanied by gorgeous photography from the award-winning photographer Catherine Hyland. As well as images documenting the at times brutalist, modernist architecture, the book also features a new series of work, People of Othona. With her signature soft, light colour palette, the portraits are intimate and striking. As the subject stares at the viewer, we share a personal moment. Founded by RAF chaplain, Norman Motley, the Othona community works within a religious framework, set off-grid by the sea. With slight blue and green tones, Catherine’s images are reminiscent of the ocean, carefully capturing this tone.

The county “also lays claim to being the birthplace of British modernism, with the country’s earliest building in this style built on the outskirts of Braintree”. Throughout its pages Radical Essex is laced with striking examples of the county’s architecture. The innovative buildings are captured by Catherine, striking a calm and melodic tone.

Radical Essex is available at Focal Point Gallery or online via Cornerhouse Publications

A small, rectangular wooden building stands on red stilts in a flat, grassy landscape. A set of wooden stairs leads up to a side deck, and a large window looks out over the field.
Above

Catherine Hyland: Redshank, Lee-over-Sands, 2016
© Catherine Hyland, Courtesy of Focal Point Gallery

A person looks off to the side against a plain, light background. They wear a grey long-sleeved top under a dark, quilted gilet.
Above

Catherine Hyland: from People of Othona, 2017
© Catherine Hyland, Courtesy of Focal Point Gallery

A wide, concrete courtyard is surrounded by low-rise, brown brick housing blocks. Circular brick planters and a few small potted shrubs are scattered across the open space.
Above

Catherine Hyland: Bishopsfield Estate, Harlow, 2016
© Catherine Hyland, Courtesy of Focal Point Gallery

A person with spiky black hair and a goatee looks directly at the camera. They wear a black zip-up hoodie over a graphic T-shirt.
Above

Catherine Hyland: from People of Othona, 2017
© Catherine Hyland, Courtesy of Focal Point Gallery

A white, nautical-style building sits atop a dark, rocky sea wall overlooking a pale sandy beach. Text on the building reads “Canvey Island” and “Island”.
Above

Catherine Hyland: Labworth Café, Canvey Island, 2016
© Catherine Hyland, Courtesy of Focal Point Gallery

A person with a full grey beard and blue eyes looks directly at the camera. They wear a blue striped polo shirt with a small “Guinness” logo on the chest.
Above

Catherine Hyland: from People of Othona, 2017
© Catherine Hyland, Courtesy of Focal Point Gallery

A white two-storey house with a sloped roof and green trim. A small balcony with a black railing sits above the green front door.
Above

Catherine Hyland: Wolverton, Silver End, 2016
© Catherine Hyland, Courtesy of Focal Point Gallery

A person stands against a plain off-white background, looking off to the side. They wear a dark olive green crew-neck sweatshirt with their arms behind their back.
Above

Catherine Hyland: from People of Othona, 2017
© Catherine Hyland, Courtesy of Focal Point Gallery

A tall, brown brick apartment block stands alone in a grassy field. To the left, a smaller brick building and a few parked cars sit under a pale sky.
Above

Catherine Hyland: The Lawn, Harlow, 2016
© Catherine Hyland, Courtesy of Focal Point Gallery

A single-storey shop with a red corrugated roof reads “Fantasy Island Amusements”. People sit at outdoor tables and chairs on the pavement in front of the store.
Above

Catherine Hyland: Fantasy Island Amusements, Canvey Island, 2016
© Catherine Hyland, Courtesy of Focal Point Gallery

A book cover featuring a vibrant, abstract wash of pink, blue and green paint across a white background. Bold black text reads “Radical ESSEX”.
Above

Radical Essex: Designed by Fraser Muggeridge Studio

An open book shows a photograph of the University of Essex campus on the left page. The right page features the title “University Radicalism” and an essay by Jules Lubbock.
Above

Radical Essex: Designed by Fraser Muggeridge Studio

A collage across two book pages featuring various photographs and abstract, colourful patterns. Images include a purple flag fluttering against a cloudy sky, a table of documents and notes, and a row of small beach huts painted in vibrant, psychedelic colours.
Above

Radical Essex: Designed by Fraser Muggeridge Studio

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About the Author

Emma Latham Phillips

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