It’s a relief to put names to projects and right now I’m feeling the same sense of euphoria as yesterday when the change in my pocket matched the price of a white chocolate kitkat exactly. Raw Color, an Eindhoven-based studio consisting of one Daniera ter Haar and one Christoph Brach, are responsible for a number of impossibly great projects and collaborations that I’ve seen spread out across the ether in a beguiling one-image-wins-prizes sort of way.
There is the photo essay commissioned by Nowness with Martin Creed – a celebration of balancing food stuffs that appear on the menu of Pierre Gagnaire’s Sketch restaurant – the temporary, multiple-exposure recreation of trees with Mkgk, the contiguous paper still life constructs, wonderfully suggestive photoshoot for Dutch Invertuals, and, most recently, Cryptographer & Encoded Textiles. With multiple experts to help them realise it, Raw Color created a bleach printer that would draw out a custom code in place of your regular alphabet in an ever-changing pattern onto lengths of fabric. When concluded, the piece literally becomes part of the furniture (or accessory?) and suddenly the digital, intangible language is made real – and in tasteful geometrics!
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- Friday Mixtape: illustrator pals Jan Buchczik and Timo Lenzen on their studio tunes
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- Mosh Pit Simulator, perhaps the craziest VR game yet, launches later this month
- Fantastic Man releases What Men Wear, an anthology of male dressing in the 21st Century
- Interior Lives documents the unassimilated lives of the largest Chinese population outside of Asia
- An egg beats Kylie Jenner to become the most liked Instagram photo... ever
- Mastercard reveals new nameless logo courtesy of Michael Bierut
- Sam Youkilis uses scale, form and colour to challenge the tropes of travel photography
- Betina Du Toit's naturally-beautiful images are “stripped back from the non-essential”
- Giacomo Gambineri on shifting his creative career from graphic designer to illustrator
- Hiroki Nishiyama draws on traditional graphic design techniques in his illustration practice