It’s a relief to put names to projects and right now I’m feeling the same sense of euphoria as yesterday when the change in my pocket matched the price of a white chocolate kitkat exactly. Raw Color, an Eindhoven-based studio consisting of one Daniera ter Haar and one Christoph Brach, are responsible for a number of impossibly great projects and collaborations that I’ve seen spread out across the ether in a beguiling one-image-wins-prizes sort of way.
There is the photo essay commissioned by Nowness with Martin Creed – a celebration of balancing food stuffs that appear on the menu of Pierre Gagnaire’s Sketch restaurant – the temporary, multiple-exposure recreation of trees with Mkgk, the contiguous paper still life constructs, wonderfully suggestive photoshoot for Dutch Invertuals, and, most recently, Cryptographer & Encoded Textiles. With multiple experts to help them realise it, Raw Color created a bleach printer that would draw out a custom code in place of your regular alphabet in an ever-changing pattern onto lengths of fabric. When concluded, the piece literally becomes part of the furniture (or accessory?) and suddenly the digital, intangible language is made real – and in tasteful geometrics!
- Photographer Eli Durst's series Pinnacle Realty challenges stereotypes of suburban America
- Grace Miceli’s bold and playful illustrations re-interpret brands in humorous ways
- Tsto returns to design Flow Festival's identity, pushing and playing with its typography
- Rosie Yasukochi's vibrant comic reflects on post-generational trauma
- Patrick Kyle's helpful advice on how to start out at illustration fairs
- "Don't drink and dance in front of your peers": ten creatives on their biggest mistakes
- Crayola launches a makeup range based on its ubiquitous crayons
- Portfolio tips from top studios: what to leave in (and out) and how to get noticed
- The Graduates 2018: Should I get a job or go freelance?
- All internships are not created equal: how to spot the best opportunities and have the courage to reject the duds
- Erik Spiekermann brings five unfinished fonts from Bauhaus design masters to life with Adobe
- Why counter-culture matters: Rough Trade launches publishing venture designed by Craig Oldham