This latest American Apparel ad campaign appears to be missing something. Bums in see-through stockings, nip-slip prone leotards, a bit of man cleavage, perhaps? They’re the work of the ever-brilliant Sarah May, whose set-designs for Santucci & Co. have graced the pages of Esquire, Dazed and Confused, Wallpaper* and more. Her ability to transform inanimate objects into moving, vibrating, gyrating compositions kicks the notion of “still life” up the you-know-what and her quirky blend of colour and composition proves that, given the right translator, good products will speak for themselves.
An additional collection of impressive fashion spreads (featuring real live models this time!) further cements Ms. May status as a real rising star.
- Meet the speakers: Dougal Wilson, Ewen Spencer, GraphicDesign& and Gal-dem
- Claire Hentschker: the artist who recreated The Shining as an interactive 3D space
- Rosanna Webster and Phoebe Henry’s cinematic portrait of Cuba
- Alex Hunting’s crisp editorial designs are considered and multi-layered
- Raine Allen Miller’s latest ad shows kids experiencing the “side effects” of tech toys
- Colin Pantall's warm depiction of childhood and fatherhood taken over 12 years
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner