Spike is a contemporary art magazine with a difference. Founded by artist Rita Vitorelli way back in 2004, the quarterly bilingual German-English magazine is now celebrating the launch of its family-themed 50th issue. Spike describes itself as “both rigorously academic and stylishly essayistic”, with a rich pool of critics and curators as contributors.
“Spike 50 is all about the family: as structure, model, metaphor, as place of origin and point of no return,” Spike states. “Do we need to save the family, or to destroy it? Do lines of descent still make sense for artists, or have networks taken their place? From the queer family to the nuclear family, from the commune to neopatriarchy, it lives on in many forms – even in the family of an art magazine.”
Features include a portrait of photographer Nan Goldin by Dean Kissick, a Q&A with American literary theorist and political philosopher Michael Hardt considering “what is wrong with the family?”, Bruce Hainley talks to performance artist Claude Wampler about improvisation, racism and raising kids, while Chiara Bottici and Jamieson Webster compare the Kardashian klan with Freud’s Dora.
And, with Mirko Borsche and Yvonne Zmarsly heading up the magazine’s art direction, fifty issues deep, Spike enters 2017 looking slicker than ever.
- “I’m a believer in form”: Geoff McFetridge on his new book of introspective drawings
- A rundown of our Nicer Tuesdays highlights of 2018
- Eight creatives from around the world tell us what made their city tick in 2018
- “Are we all avatars now?” asks digital painter Zak Keene
- Mohamad Abdouni on documenting an “important time in Arab queer culture”
- MUJI talks us through the brand’s famously minimal design aesthetic
- DIA channels NYC and gives Squarespace its signature kinetic treatment in brand refresh
- Laughing at the world of graphic design with Tracy Ma
- Alex Gamsu Jenkins’ comics remind us of how gross we really are
- Pantone's Colour of the Year 2019 has been announced and it's... Living Coral!
- The animated short giving Isle of Dogs a run for its money
- Caleb Halter's instinctual design practice produces considered and refined work