It’s perfectly acceptable to become dangerously obsessed with a face in a painting – countless viewers have been knocked sideways by the gaze of Vermeer’s Girl with a Pearl Earring, not to mention the many in-head love affairs people have had with Manet’s bar girl in the last century. The same feeling hit me when flicking through Stephan’s portfolio and coming face to face with the boy in the picture below (bottom left, hand on chin) who turns out to be just one of the many of Stephan’s characters you can fall in love with.
Predominantly working in black and white (unless you count his earlier, weirder work) his ability to cram whole personalities into some relatively basic illustration is nothing short of magnificent.
- Cleon Peterson's works continue to investigate the evil side of humanity
- Winsor & Newton lifts the lid on the secret tricks of every artist's trade
- Calypso Mahieu’s photography makes the simplest things sexy (some NSFW)
- Foster Huntington’s stop-motion short of an 80s Californian skate off
- Dax Norman’s weird and wobbly animations with “cigarettes and eyeballs a plenty”
- Photographer Evija Laivina explores the ridiculous reality of the beauty industry
- Hate the iPhone X notch? There’s an app for that
- Lisa Simpson’s bookshelf: from the curator of Instagram’s Simpsons Library
- Biplab Hazra’s photo of elephants being attacked by mob wins Sanctuary prize
- Michael Bierut: 13 ways of looking at a typeface
- Uncle Ginger uses hypnotic shapes to animate the facts and feelings of bipolar disorder
- Michel Gondry’s John Lewis Christmas advert – Moz the Monster – is unveiled