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Championing creativity

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Stosh-itsnicethat-hero-2 — Stosh: Poster Design (detail)

Work / Graphic Design

Meet Swiss studio Stosh, AKA Stephanie Cuérel and Josh Schaub!

Words by Maisie Skidmore, Wednesday 22 April 2015

Stosh is the leading case in my new argument (actually my only case, but that’s neither here nor there) that all studios formed of two or more people should be named by combining those two names together. Freelance graphic designers Stephanie Cuérel and Josh Schaub (Stosh!) have been collaborating since 2010 and judging by their website – a trichotomy of bold design made by one, the other or both of them, with the odd GIF thrown in for good measure – it was a good decision.

Below is a selection of poster design, identity work and infographics created for clients including the international design festival the AGI Open, the University of Lucerne and Matrix, but I can’t recommend strongly enough that you head over to their site to scroll around it yourself – it’s a feat of design, and promises great things from Stosh!

Stosh-itsnicethat-1 — Stosh: Poster Design

Stosh-itsnicethat-2 — Stosh: Poster Design

Stosh-itsnicethat-3 — Stosh: Poster Design

Stosh-itsnicethat-5 — Stosh: Poster Design

Stosh-itsnicethat-4 — Stosh: Poster Design

Stosh-itsnicethat-7 — Stosh: Poster Design

Stosh-itsnicethat-8 — Stosh: Poster Design

Stosh-itsnicethat-9 — Stosh: Poster Design

www.joshschaub.ch

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Ruby Boddington — 04 December 2018
Work / Graphic Design DIA channels NYC and gives Squarespace its signature kinetic treatment in brand refresh

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Ruby Boddington — 04 December 2018
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Jyni Ong — 04 December 2018
Feature / Graphic Design Laughing at the world of graphic design with Tracy Ma

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One of the designer’s first jobs was at Bloomberg Businessweek, where a three-month stint became a five-year job. Between 2011–2016 Tracy worked her way up to deputy creative director, ultimately working on over 200 issues. Throughout her time at the publication her visual output chopped and changed in style, but the sense of humour was consistent; she’s perpetually contextually clever with content. When provided with visuals that were “often scarce or shitty,” she’d utilise the potential of typography as an image. In her current position as visual editor at The New York Times’ style desk, Tracy continues an approach to editorial which puts the reader’s engagement first. In the run-up to Prince Harry and Meghan Markle’s big day, her first Times piece saw her design an extensive – and comical – FAQ of “everything you wanted to know” about the royal wedding. Question 27 asks “Would it be at all possible to surf this website without such cutting-edge art direction?”. The answer it displays? No. Obviously.

Lucy Bourton — 04 December 2018
Work / Art Evan Roth's latest artwork gets to the bottom of the internet's deep roots

We’d wager a substantial sum of money that most of you reading this have never really considered how it is possible you’re reading this. Like television or the limitless supply of pepperoni slices at your local Pizza Hut buffet, the Internet is something that just happens.

Josh Baines — 04 December 2018

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