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Championing creativity

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Stosh-itsnicethat-hero-2 — Stosh: Poster Design (detail)

Work / Graphic Design

Meet Swiss studio Stosh, AKA Stephanie Cuérel and Josh Schaub!

Words by Maisie Skidmore, Wednesday 22 April 2015

Stosh is the leading case in my new argument (actually my only case, but that’s neither here nor there) that all studios formed of two or more people should be named by combining those two names together. Freelance graphic designers Stephanie Cuérel and Josh Schaub (Stosh!) have been collaborating since 2010 and judging by their website – a trichotomy of bold design made by one, the other or both of them, with the odd GIF thrown in for good measure – it was a good decision.

Below is a selection of poster design, identity work and infographics created for clients including the international design festival the AGI Open, the University of Lucerne and Matrix, but I can’t recommend strongly enough that you head over to their site to scroll around it yourself – it’s a feat of design, and promises great things from Stosh!

Stosh-itsnicethat-1 — Stosh: Poster Design

Stosh-itsnicethat-2 — Stosh: Poster Design

Stosh-itsnicethat-3 — Stosh: Poster Design

Stosh-itsnicethat-5 — Stosh: Poster Design

Stosh-itsnicethat-4 — Stosh: Poster Design

Stosh-itsnicethat-7 — Stosh: Poster Design

Stosh-itsnicethat-8 — Stosh: Poster Design

Stosh-itsnicethat-9 — Stosh: Poster Design

www.joshschaub.ch

Words by Maisie Skidmore, Wednesday 22 April 2015

Most Recent

In celebration of his new book 2017, Bráulio Amado picks out the work he loves from last year 23 April 2018
Environmental Activism: Why We Need To Shake Up the Visual 23 April 2018
Charlotte Dumortier on her identity for this year's ELCAF and what she's looking forward to most 23 April 2018
Google Fonts Korean becomes interactive by manipulating path data 23 April 2018
Photography series Metamorphosis reimagines iconic female characters as 21st century women 23 April 2018
National Geographic’s creative director Emmet Smith on the publication’s redesign 20 April 2018

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Ruby Boddington — 20 April 2018
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Features / Publication Design to improve the general quality of life: exploring Paul Rand's IBM Graphic Standards Manual

In a televised interview with Paul Rand in 1991 the designer was asked, “What does the world need with graphic design, what does it do for us? To the average person it may seem a kind of… fussy little concern with moving words around, pictures around, what good does it do us?” Paul responds that he’s been thinking about this for many years: “Up to rather recently, I sort of concluded that we were not very important. Or you can put it another way – there used to be a guy in my agency days, he would say, ‘how is it possible to make so much and do so little?’”

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Work / Publication In celebration of his new book 2017, Bráulio Amado picks out the work he loves from last year

“I first met Bráulio as an international exchange student in my class at the School of Visual Arts, in New York City, which I taught with John Fulbrook,” reads Pentagram’s Luke Hayman’s introduction at the start of Bráulio’s Amado’s latest book, 2017. “Bráulio was possibly one of the most enthusiastic students we taught during my seven years at the school. Certain students come with a commitment and eagerness that makes teaching worthwhile and benefits the whole class. He did well.”

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Claire Matthews — 23 April 2018
Media Partnership / Illustration Charlotte Dumortier on her identity for this year's ELCAF and what she's looking forward to most

From 22 — 24 June a global range of illustrators and comic artists will descend on London, filling The Round Chapel and The School Rooms in Hackney for the annual East London Comics and Arts Festival. 2018 marks the seventh edition of ELCAF, a weekend packed with a programme of talks, workshops, masterclasses, screenings, installations and exhibitions, as well as some of the world’s most exciting illustration focused artists selling their goods too. Tickets are now available in advance of the weekend in June and more information is available here.

Lucy Bourton — 23 April 2018
Work / Digital Google Fonts Korean becomes interactive by manipulating path data

Initially launched in 2010, Google Fonts is an online collection of fonts available for designers and web developers to embed on their websites, for free. Until very recently, the collection was unable to support Korean. However, Google has now devised a more efficient means of serving Chinese, Japanese and Korean (CJK) font files, which have very large character sets, resulting in large file sizes.

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We don’t remember reading the part that depicts the Virgin Mary as a tattooed matriarch with a nose ring and knuckle dusters? Or the painting that shows Venus to be a body-building athlete with groomed hair down her legs? These representations may not have made it into our history books, but Amsterdam and London-based photographer Lois Cohen and New York-based stylist Indiana Roma Voss have given the female protagonists centerstage in their latest series Metamorphosis. Together the duo reimagine female archetypes from a range of geographical areas and cultures and place them in recognisable contexts in order to transform them into 21st century women.

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Work / Publication National Geographic’s creative director Emmet Smith on the publication’s redesign

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Work / Photography Seung-Gu Kim creates Lowry-style photographs of South Korean holidays

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Work / Graphic Design Baptiste Bernazeau draws on a degenerating building complex for his latest typeface

Orgues de Flandre is a group of residential buildings in Paris’ 19th arrondissement built in the 1970s by architect Martin van Treeck, which sharply contrast the romantic, uniform architecture we usually associate with the capital. The building complex may not be conventionally poetic, but it is nonetheless the unlikely inspiration for graphic designer Baptiste Bernazeau’s latest typeface Ogres.

Daphne Milner — 19 April 2018
Work / Photography Fish by Osma Harvilahti is a romantic interpretation of the Japanese fishing industry

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Ruby Boddington — 19 April 2018
Work / Publication DR.ME release the latest issue of Fin? filled with killed projects and ideas that never made it

We can only imagine the downtrodden feeling that comes with losing a pitch or some of your favourite work being cut out of a brief by a client. Feeling excited about a concept and seeing it shift is just a part of creative working, and more often than not it works out for the best. But to tackle this feeling DR.ME, the Manchester-based creative studio who consistently create projects with heart, take hold of the pieces and ideas they’re fond and publish them in their own zine, Fin?

Lucy Bourton — 19 April 2018
Work / Publication “Collaborate or die”: Adrian Shaughnessy and Astrid Stavro’s RCA MA students launch a new publication

“Collaborate or die” command graphic designers Adrian Shaughnessy and Astrid Stavro. In recent months, the pair have been busy teaching a group of Royal College of Art students of MA Visual Communication and Digital Direction to “think big in order to find alternative solutions to social issues”. The result? A new publication titled Podium, which launched at the RCA this week.

Bryony Stone — 18 April 2018
Regulars / Nicer Tuesdays Veronica Ditting on The Gentlewoman and her editorially driven design process

Creative director Veronica Ditting is best known for her landmark work in the publishing industry, including the design of The Gentlewoman, and her art direction of Fantastic Man and Cos Magazine. At Nicer Tuesdays she spoke about her London-based studio, which is surprisingly compact for its impressive output, at just six people.

It's Nice That — 18 April 2018
Work / Illustration “Broader representation in illustration is important": artist Tara Booth (NSFW)

“It’s important for women and non-binary people to share their desires and sexual experiences since representations of eroticism in comics and illustration are dominated by the cis-male perspective,” comic book artist and illustrator Tara Booth tells It’s Nice That. “The moment I start to feel embarrassed or afraid to share an illustration, the clearer it becomes to me that I need to get it out there.” Tara, who has been based in Chicago but is set to move back to her hometown of Philadelphia, has been creating her signature bold and brave drawings over the past three years. In her upcoming book, Nocturne, Tara challenges conventional depictions of women’s erotic fantasies through her distinct style and relatable characters.

Daphne Milner — 18 April 2018

Work / Photograhy Sam Rock's series Watching the French reimagines sports photography

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Daphne Milner — 18 April 2018
Work / Photography From cows drinking to Maison Margiela bags full of eggs: Julia et Vincent's dreamlike photography

“80s French erotic movies, Julia’s mum’s addiction to the colour purple, Gianni Versace, Gérard Depardieu, Showgirl by Paul Verhoeven and, especially, our everyday life,” respond creative duo Julia et Vincent when asked what it is that inspires their pastel, dreamlike aesthetic. Based in Paris, the pair’s practice spans photography, art direction and moving image.

Ruby Boddington — 18 April 2018
Sponsored / Opinion What's the point of an MA in design anyway?

Dr. Robyn Cook is the course coordinator for the MA Communication Design at Falmouth University. After almost ten years of working in the creative industries as a designer and art director (TBH Disturbance, Ogilvy, Ogilvy Action) she moved into academia, teaching at both postgraduate and undergraduate levels at the University of Johannesburg and now Falmouth University. Here, Robyn discusses why students should (or potentially shouldn’t) study a master’s in design.

Robyn Cook — 18 April 2018
Work / Graphic Design GT Super: the typeface inspired by the lowercase "a" in a newspaper clipping

When Swiss designer and founder of Rollo Press, Urs Lehni showed fellow designer Noël Leu a newspaper clipping, it kickstarted an extensive investigation into display typefaces from the 1970s and 80s, resulting in Grilli Type’s latest release: GT Super.

Ruby Boddington — 18 April 2018
Features / Publication Design to improve the general quality of life: exploring Paul Rand's IBM Graphic Standards Manual

In a televised interview with Paul Rand in 1991 the designer was asked, “What does the world need with graphic design, what does it do for us? To the average person it may seem a kind of… fussy little concern with moving words around, pictures around, what good does it do us?” Paul responds that he’s been thinking about this for many years: “Up to rather recently, I sort of concluded that we were not very important. Or you can put it another way – there used to be a guy in my agency days, he would say, ‘how is it possible to make so much and do so little?’”

Lucy Bourton — 18 April 2018
Work / Film Mother London produces the latest TED film - with a wild and wonderful projection of the future of A.I.

TED of TED Talks fame has launched a series of original films, commissioned to help bring TED’s theme of 2018, The Age of Amazement to life. Mother London, naturally, rose to the theme-exploring challenge, with an exceptionally created, laugh-out-loud short film, AI Therapy.

Laura Isabella — 17 April 2018

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