Your ears want to love you, they really do, but what with your loud pop music and your loud discotheques and your clumsy ear hygiene regime you are NOT making it easy for them. Never fear though, because we have just the thing to rebuild trust between you and your lug holes – it’s the new Studio Audience podcast! And, to treat you all, we welcome back the inimitable Liv Siddall who is on scintillating form, with a couple of rants and an early mention of a painting pony.
In this section we talked about the Vatican’s Venice Art Biennale bow this year and what we might expect from the pontiff’s pavilion, we wondered why Mike Brodie’s photographs of freight train hitchhikers struck such a massive chord and we discussed The New York Times’ website redesign. We also chatted about the cancelled Napalm Death gig at one of London’s most venerable museums (you can enjoy one of their ditties below) and we lamented the loss of Google Reader, and asked whether the biggest losers were those in countries with censored internet access
- Manshen Lo creates surreal, comic-inspired observational illustrations
- “To me, being a man just means being yourself”: five creatives share their thoughts on masculinity
- Hexatope: the web-app utilising computational arts to make personalised jewellery
- Lucy Hardcastle on her “most progressive film to date”
- Moby Digg creates grid-based identity for finance company Baugeld Spezialisten
- Typography and National Socialism – the journey of Futura in an era of "reactionary modernity"
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum