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Utterly stunning, chilling animation about fear, death and control

Date
14 September 2015

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While we love a cheery gif or a daft music video about amorous sofas, sometimes moving image that touches on more profound issues is the work that really knocks us for six. Barcelona-based studio N9ve’s The Guardian is one such work, created in eerie monochrome with an aesthetic that looks misleadingly simple, but is the product of a long, arduous process of 3D modelling, flattening and stripping every element to its cleanest form. The narrative is based on the parable Before the Law from Franz Kafka’s The Trial, and tells a story of a peasant traveller who “basically…lived a life that people told him was good to live.” The stunning animation work uses stark monochrome to show his travails, and we see objects morph into people and abstract symbols and sinister icons. The movement manages to be utterly faithful to reality but also hypnagogic and surreal, with the sounds of ominous cello strings adding to the chilling atmosphere. It’s a tale of fate, death and the fears that control us; but we won’t spoil it. Watch, wonder and be moved.

A white line illustration of a deer’s head and antlers against a solid black background. The deer is depicted in profile, with a textured, cloud-like mass forming the back of its head.
Above

N9ve: The Guardian (still)

A black and white illustration of a black square tilted on a white background. Inside the square, a smaller white square contains a series of nested, angular black lines.
Above

N9ve: The Guardian (still)

A black and white illustration of a city scene divided into panels. Figures appear in window-like frames, surrounded by abstract architectural shapes and small, illegible labels.
Above

N9ve: The Guardian (still)

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About the Author

Emily Gosling

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Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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