There’s not a lot of independent magazines in existence in the Middle East. Fewer still that cross over into a global market (there’s that prohibitive language barrier that gets in the way). And when you look at the few that are on offer (I can actually only think of Brown Book ) it seems there’s only one that really deals with the realities of life in the Arab world.
The Outpost’s inaugural issue landed in September 2012 and since then has garnered a reputation for high-quality journalism and incredibly considered design (the folks at Rifle manage the visuals). But in spite of that, the realities of independent publishing mean the Beirut-based title are looking to their readers to fund their 2014 editions. So if you’re not already a fan, you should consider becoming one, and if you’re already familiar with their work then you probably appreciate the importance of this title. In both instances, we reckon this is one publication that’s deserving of some support – after all it’s hard enough producing mags in a place with a magazine outlet on every street corner.
We’ve not got our hands on the their third issue yet, but by all accounts it looks like a corker.
- This year’s Birmingham Design Festival explored truth in the design industry
- Designer John Christian Rose on how he turns mess, chaos and clutter into art
- “My creative process is hella eclectic”: illustrator Jack Fletcher
- Jee-ook Choi turns Uniqlo’s AIRism range into a series of ethereal illustrations
- “Nothing should stand still”: Elaine Song on her dynamic, abstract illustrations
- Meet Ian Weldon, the “photographer that photographs weddings”
- How Pelle Cass creates his jarring “still time-lapse” images
- Mozilla gives Firefox a new look that goes beyond the logo
- Spotify wants you to listen to more podcasts, so it's redesigned its app
- Say a sustainable hello to the world’s first fully compostable trainer
- Illustrator Faye Moorhouse has made a trilogy of zines about her cat
- Applications are now open for The Graduates 2019!