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An animation in which colourful envelopes and cards in pink, lime, orange and magenta slide and overlap on a brown background. The stationery features the name “Nicole Huisman” in both script and sans-serif type, alongside the words “Thank You!” and a list of creative services.
An animation in which colourful envelopes and cards in pink, lime, orange and magenta slide and overlap on a brown background. The stationery features the name “Nicole Huisman” in both script and sans-serif type, alongside the words “Thank You!” and a list of creative services.

Rotterdam studio The Phoney Club is redrawing the rules for AI-made worlds

Using licensed AI twins, hybrid photography and self-imposed rules around authenticity, the creative studio is deciding how much of the real world an artificial one is allowed to borrow.

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Date
18 August 2026

The Phoney Club, based in Rotterdam, is a studio with an intriguing perspective befitting its name. Among the branding, motion, strategy and art direction that makes up its output, the Dutch creative agency focuses on what’s not real and the tension that can create. “A phoney thing makes you look twice, it unsettles,” the studio explains. “And in that moment of doubt – that half-second where you’re not quite sure – perception becomes an active act. You’re no longer just seeing; you’re deciding.” Challenging perceptions and expectations – concerning the likes of beauty, interaction and individuality – The Phoney Club takes the questions around reality and plays with them. With the introduction of generative AI, the studio saw the technology as a new toolkit to attack this shared creative curiosity. 

This practice manifests in a number of ways – varying from project to project – with one such example being The Phoney Club’s campaign for Ajen Botanical Body Care. Built around an AI twin of model Soesja Leugs, the product shots look like they have been filtered through a Dutch countryside daydream – flat landscapes, squelchy moss and bubbles are paired with pristine packaging, clean graphics and, of course, an AI model. Serving as hired, licensed generative counterparts to real models, the studio places said digital doppelgängers into wholly fictional worlds, albeit without retouching or altering the model’s likeness in any way. This, for The Phoney Club, is an ethical concern rather than an aesthetic one, and makes up part of the studio’s own rulebook in navigating uncharted territory. “We don’t alter these faces or retouch their imperfections,” says the studio. “Wrinkles, shadows and marks are all welcome additions to our universe [...] real imperfection becomes not just an aesthetic choice but an ethical one, proof that somewhere behind the image, a real person exists.”

The unknown is seemingly what interests The Phoney Club, and where it likes to hang its hat, while equally holding itself responsible in defining the standards it sets. “Authenticity is one thing AI cannot generate, it has to be brought in from the outside.” All of these inquiries and intrigues came to a head via The Phoney Edit, the studio’s art direction and image creation service. The hybrid approach combines photography and AI production, allowing The Phoney Club to unleash its art direction on a brand without the restrictions of location or budget. 

Similarly, The Phoney Club put its philosophy into practice with The Phoneyverse, a self-initiated project which saw friends, clients and collaborators interact with a custom tool the studio built – “trading the room they were standing in for a world we’d built from scratch”. The programme allowed guests to travel between three artificial dimensions that the studio has crafted in response to the ever-emptying (and empty) digital worlds that we voluntarily enter every day. Epitomising The Phoney Club’s perspective, the resulting virtual reality is proudly technologically led, but speaks to its idealistic potential – in opposition to the ostensibly endless echo chambers of bots and generative posts. 

An animation in which a person appears in various poses and outfits against shifting solid backgrounds of orange, yellow, brown and pink. The text “Nicole Huisman” remains constant across the frames.
Above

The Phoney Club: Nicole Huisman (Copyright © The Phoney Club, 2025)

A split image showing a silver metal logo and a person wearing a bag. The left side features a geometric, architectural logo, while the right shows a person in a white knit top and black trousers carrying a large, greige-coloured bag. Text on the right reads “NONA”, “Spring / Summer ’26” and “Crossbody Bag Greige”.
Above

The Phoney Club: NONA Handbags (Copyright © The Phoney Club, 2025)

A person wears a white satin garment with a large bow and pink lace leggings. The white letters “NH” are laid over the centre of the image.
Above

The Phoney Club: Nicole Huisman (Copyright © The Phoney Club, 2025)

A collage of cut-out images on a white background, topped with the name “Nicole Huisman”. The elements include a lime green handbag, a brown chair, a yellow teapot, and a brown bag featuring Mickey Mouse. Three people are posed among the objects, one wearing pink trousers and another in a yellow floral outfit.
Above

The Phoney Club: Nicole Huisman (Copyright © The Phoney Club, 2025)

Two dark glass skincare bottles by Maiwe against contrasting orange and blue backgrounds. The first is a “Rosehip Oil Serum” with a dropper resting on top, while the second is a “Nourishing Oil Cleanser” with a pump dispenser.
Above

The Phoney Edit for Maiwe Skincare AI campaign (Copyright © The Phoney Club, 2026)

A person with long dark hair and fringes looks off-camera with a neutral expression. They wear a brown and white striped top and hold a hand to their cheek.
Above

The Phoney Edit for Ajen Botanical Body Care AI twin Soesja Leugs (Copyright © The Phoney Club, 2026)

A person leans over the back of a large white cow in a grassy field. A bottle of soap sits on the cow’s back, beneath the large white wordmark “ajen”.
Above

The Phoney Edit for Ajen Botanical Body Care using an AI twin (Copyright © The Phoney Club, 2026)

A person with long, curly hair looks over their shoulder toward the camera. They wear a white sleeveless dress and stand in a field of tall grass and white wildflowers.
Above

The Phoney Club: Ajen Botanical Body Care Art direction (Copyright © Sander Coers, 2024)

A close-up of a product label for “Nourishing Conditioner” refill. The text lists the scent as “Wilderloof” with notes of cedar wood, jasmine, amber and orris.
Above

The Phoney Club: Ajen Botanical Body Care product design (Copyright © The Phoney Club, 2024)

A mobile website design for a brand called “ajen”. One screen shows a bottle of hand wash lying in long grass and wildflowers under the heading “Let nature in”. A second screen displays a product page for a “Starterkit Hand wash” with scent options for “Olive Green” and “Citruspepper”.
Above

The Phoney Club: Ajen Botanical Body Care Visual identity (Copyright © The Phoney Club, 2024)

A surreal collage of two people perched within giant, deep pink flowers against a pale blue sky. One person in a white outfit rests inside the top bloom, while another sits on a curved petal of the flower below.
Above

The Phoney Edit: The Phoneyverse AI Campaign (Copyright © The Phoney Club, 2026)

Hero Header

The Phoney Club: Nicole Huisman (Copyright © The Phoney Club, 2025)

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About the Author

Harry Bennett

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Hailing from the West Midlands, and having originally joined It’s Nice That as an editorial assistant in March 2020, Harry is a freelance writer and designer – running his own independent practice, as well as being one-half of the Studio Ground Floor.

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