That awkward moment when you wake up and your enchanted baton has turned a grove of trees into a flock of birds. Ok, no us neither, but if your having trouble picturing what that might look like then let Laëtitia Devernay sort you out. Her illustrations for The Conductor last night took the top prize at the V&A illustration awards with the judges parsing her “utterly engaging” and “meticulously-executed” drawings.
Laëtitia’s entry beat off more than 1,000 others to take the prestigious award whose past winners have included Ralph Steadman and Quentin Blake. Elsewhere Matthew Richardson’s brilliant jacket for The Outsider won best book cover, Nick Lowndes’ smart and communicative piece on small businesses for The Financial Times was named best editorial illustration and in the student category Holly Mills’ Hothouse pipped Daniel Clarke’s Heygate Memories to the prize.
A showcase of the shortlisted artists (full list here) is now open at the muse and runs until December 31.
- Cleon Peterson's works continue to investigate the evil side of humanity
- Winsor & Newton lifts the lid on the secret tricks of every artist's trade
- Calypso Mahieu’s photography makes the simplest things sexy (some NSFW)
- Foster Huntington’s stop-motion short of an 80s Californian skate off
- Dax Norman’s weird and wobbly animations with “cigarettes and eyeballs a plenty”
- Photographer Evija Laivina explores the ridiculous reality of the beauty industry
- Hate the iPhone X notch? There’s an app for that
- Lisa Simpson’s bookshelf: from the curator of Instagram’s Simpsons Library
- Biplab Hazra’s photo of elephants being attacked by mob wins Sanctuary prize
- Michael Bierut: 13 ways of looking at a typeface
- Uncle Ginger uses hypnotic shapes to animate the facts and feelings of bipolar disorder
- Michel Gondry’s John Lewis Christmas advert – Moz the Monster – is unveiled