That awkward moment when you wake up and your enchanted baton has turned a grove of trees into a flock of birds. Ok, no us neither, but if your having trouble picturing what that might look like then let Laëtitia Devernay sort you out. Her illustrations for The Conductor last night took the top prize at the V&A illustration awards with the judges parsing her “utterly engaging” and “meticulously-executed” drawings.
Laëtitia’s entry beat off more than 1,000 others to take the prestigious award whose past winners have included Ralph Steadman and Quentin Blake. Elsewhere Matthew Richardson’s brilliant jacket for The Outsider won best book cover, Nick Lowndes’ smart and communicative piece on small businesses for The Financial Times was named best editorial illustration and in the student category Holly Mills’ Hothouse pipped Daniel Clarke’s Heygate Memories to the prize.
A showcase of the shortlisted artists (full list here) is now open at the muse and runs until December 31.
- Ruud van Empel’s uncanny photographs blend artificiality with naturalism
- Grant James-Thomas shoots twins with a painterly aesthetic for Vogue Italia
- In Stiya, photographer Cole Barash compares a storm and the birth of his first child
- Nano illustrates the different kinds of loneliness that we all feel from time to time
- Jan Hakon Erichsen is a balloon-destroying artist whose work you really shouldn't try at home
- Clarity of concept is at the heart of Seoul-based graphic designer Son Ayong’s posters
- “The future of design is in the creation of tools”: Meet the Space Type Generator
- How Pelle Cass creates his jarring “still time-lapse” images
- Lacoste once again swaps its iconic crocodile logo for ten endangered species
- Introducing Double Click – our new series rounding up the best of the digital design world
- Typeface Ciao communicates auditive intonations of the spoken word
- Yushi Li on photographing men she met through Tinder