That awkward moment when you wake up and your enchanted baton has turned a grove of trees into a flock of birds. Ok, no us neither, but if your having trouble picturing what that might look like then let Laëtitia Devernay sort you out. Her illustrations for The Conductor last night took the top prize at the V&A illustration awards with the judges parsing her “utterly engaging” and “meticulously-executed” drawings.
Laëtitia’s entry beat off more than 1,000 others to take the prestigious award whose past winners have included Ralph Steadman and Quentin Blake. Elsewhere Matthew Richardson’s brilliant jacket for The Outsider won best book cover, Nick Lowndes’ smart and communicative piece on small businesses for The Financial Times was named best editorial illustration and in the student category Holly Mills’ Hothouse pipped Daniel Clarke’s Heygate Memories to the prize.
A showcase of the shortlisted artists (full list here) is now open at the muse and runs until December 31.
- Ivana Bobic on exploring tactility in film, and how to make slow-mo jelly boobs
- The history of the hotel Venets: a 22-storey metaphor for Soviet utopia
- The Papier Machine collection of DIY electronic paper toys reinvents the activity book
- Brie Moreno's back with more felt tip-filled, curvy illustrations
- Meet Monkey Type, an international collective bananas about fonts
- Arielle Bobb-Willis’ colour-packed portfolio is the photographic equivalent of a SAD lamp
- Pee on this Ikea print ad, and if you’re pregnant, you get a crib half price
- Coca-Cola reveals custom typeface, TCCC Unity, inspired by its modernist heritage
- Muji to open “anti-gorgeous, anti-cheap” hotels in China and Japan
- The rebrand for Russia’s tourist board uses Suprematist geometry laid out as a map
- The Guardian unveils redesign across print and online
- A first look at Uber and NASA's new flying vehicle