That awkward moment when you wake up and your enchanted baton has turned a grove of trees into a flock of birds. Ok, no us neither, but if your having trouble picturing what that might look like then let Laëtitia Devernay sort you out. Her illustrations for The Conductor last night took the top prize at the V&A illustration awards with the judges parsing her “utterly engaging” and “meticulously-executed” drawings.
Laëtitia’s entry beat off more than 1,000 others to take the prestigious award whose past winners have included Ralph Steadman and Quentin Blake. Elsewhere Matthew Richardson’s brilliant jacket for The Outsider won best book cover, Nick Lowndes’ smart and communicative piece on small businesses for The Financial Times was named best editorial illustration and in the student category Holly Mills’ Hothouse pipped Daniel Clarke’s Heygate Memories to the prize.
A showcase of the shortlisted artists (full list here) is now open at the muse and runs until December 31.
- Ioanna Sakellaraki explores Greece’s last professional mourners and their rituals around death
- Catalog Press is questioning what a book can be (and maybe it's made of cheese)
- Floriane Rousselot's digital platform Typelab supports and champions the work of young designers
- Photographer Theo Cottle tries to “keep an element of truth” in everything he shoots
- “Stay simple and playful”: Arnaud Aubry talks to us about making his fun and charming work
- Théophile Bartz on his fantastically hypnotic illustrations
- Led By Donkeys is crowdfunding £50,000 for “honest” No Deal Brexit ad campaign
- Taschen’s recent release celebrates “the greatest cat photographer of the 20th Century”
- Introducing the It’s Nice That Graduates of 2019!
- Suzy Chan’s portfolio boasts original graphic design, animation, typography and so much more
- Stefanie Tam’s graphic design grounds conceptual thinking in compelling visuals
- The Advertising Standards Authority has banned its first ads for “harmful” gender stereotyping