Imagine a time when vegetables could stop you in your tracks, when the very sight of a weird and wonderful foodstuff could cause you to gawp and gasp. You can’t can you – what with your Tesco-infused metropolitanism and your exotic-fruit snack packs.
But there was a time when people weren’t as gastronomically savvy as you and so in those days it was important for certain pioneers to catalogue and document things like vegetables. Grain merchant Philippe Victoire de Vilmorin and his father-in-law Pierre Andrieux, botanist to the King, together formed Vilmorin-Andrieux & Cie and produced their first seed catalogue in 1766.
As the business grew they became hugely respected botanical experts and a series of publications followed, culminating in arguably the company’s most famous work Album Vilmorin. Les Plantes potagères (The Vegetable Garden, 1850–1895). For this stunning tome of “agro-botanic iconography” 15 painters were hired to render fruits and vegetables and these illustrations have been collated and republished by pharmaceutical historian Werner Dressendörfer.
It’s clearly a significant record of botanical history but it’s also just ruddy beautiful, with skill and flair poured into this fairly prosaic topic.Album Vilmorin. Les Plantes potagères is out now from Taschen.
- Phile magazine on sexual subcultures, power struggles and the launch of their second issue (NSFW)
- Why Design Thinking is bullshit
- Friday Mixtape: a mammoth mix from school project turned great band, Lowly
- Even magazine challenges the “elitist, opaque and unapproachable” discussion around art
- Meet Love Man: an illustrated big-hearted alien-human looking for his other half
- Liz Nielsen wants to create photographs that give viewers "an ah-ha moment"
- Photo of a single atom wins science photography prize
- Google tackles image copyright infringement with latest design tweak
- University of Portsmouth receives backlash over costs of its rebrand
- Ikea partners with Hasselblad to offer more “inspiring” prints for its frames
- Animator John McLaughlin’s fuzzy world of big-eyed, triangular fuzzy dudes
- Creative director Patrick Li on T: The New York Times Style Magazine's conversational new redesign