Weekdays redesigns everyday pleasures in living colour
This Naarm/Melbourne-based creative studio combines typography, illustration, and space to revitalise the worlds of food, drink, and hospitality.
Creative studio Weekdays is waking up brand identities to vibrant aesthetics. However, further than just aesthetic, Weekdays’ founder Todd Vanneste tells us the studio is drawn to explorations of “how people interact with brands and spaces,” balancing both clarity and storytelling. When dealing with packaging, consumers need to know what they’re buying – and it helps that Weekdays’ designs stand out from the shelf.
Weekdays Design Studio: Sorry Nonna (Copyright © Weekdays, 2024)
Use is converted into optic storytelling to let the customer know what they’re purchasing without compromising attraction and curiosity. For brand Sorry Nonna, typography boldly bounces off the label wrapped with the primary colours of blue and yellow. For wine brand Tozzo, poise and elegance are paired with modern aesthetics by exploiting the wide bottle shape to fill and stretch type across both the neck and base. For the beer Love Shack, Weekdays translates the product using western visual narrative producing a classic crest-style label. What ties the studio’s projects together is a strong spatial awareness, striking typography, and an eye for drawing out a brand’s essence and style throughout a consistent design system.
Weekdays Design Studio: Weekdays (Copyright © Weekdays, 2022)
Weekdays Design Studio: Love Shack Brewing Co (Copyright © Weekdays, 2024)
Weekdays Design Studio: Weekdays (Copyright © Weekdays, 2025)
Weekdays Design Studio: Barrys Garage (Copyright © Weekdays, 2024)
Weekdays Design Studio: The Keys (Copyright © Weekdays, 2021)
Weekdays Design Studio: Coastals (Copyright © Weekdays, 2025)
Weekdays Design Studio: Hot Shot Tequila (Copyright © Weekdays, 2023)
Weekdays Design Studio: Frankies Tortas and Tacos (Copyright © Weekdays, 2023)
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Weekdays Design Studio: Nicos Deli (Copyright © Weekdays, 2020)
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Sudi Jama (they/them) is a junior writer at It’s Nice That, with a keen interest and research-driven approach to design and visual cultures in contextualising the realms of film, TV, and music.