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An open book shows a blue, scribbled abstract shape on the right page. The left page contains the text “The shape of a tyrannical dictator?”.

William Luz's new publication shows how abstract art can sometimes make sense

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Date
23 July 2018

William Luz makes up one-third of the much loved Nous Vous Collective and has recently released a brilliant publication, The Shape It Makes. Over the past few years, William has accumulated sketchbooks full of abstract forms. These drawings usually act as the starting point for more significant projects, but the illustrator felt that they “had a quality of their own”, which he wanted to expand on. “I’d been trying a few methods to replicate the quality of coloured pencil drawings in print and risograph seemed to do that perfectly”, he tells us. “I got in touch with Tan & Loose Press to see if they’d be into putting a book out with me”.

The Shape It Makes wittily explores how text can disrupt an image. Harmonious, child-like, colourful shapes are paired pleasingly with sentences in ways that can at times be didactic, funny, charming and poetic. “I am interested in how a title or piece of accompanying text can change an image, especially a more abstracted one," the artist explains. “Adding text to an image can have the effect of adding to a visual experience by making it more cerebral."

Abstract art can often be inaccessible; if a person doesn’t understand something, it can turn them off, bore them or make them feel ignorant. When William pairs a sentence with an image, he sets minds to work — the art becomes a puzzle for the spectator to solve and you see things you wouldn’t typically before. For example, the image placed next to “the shape of a tyrannical dictator” comically morphs into the head of Donald Trump. “Humour can soften abstract work”, the illustrator tells It’s Nice That. “It can make it feel a bit more human, less cold and reserved”.

Unusually, William did not create the images in response to the text but instead worked out what descriptions best matched the drawings, highlighting how abstract work can have a variety of meanings. The book intends to help people read this genre of art. He explains, it shows how abstract art "can be whatever you want it to be and it gently encourages a more playful and curious engagement with our visual world”.

The cover of a book titled “The Shape it Makes” by William Luz. The title is set in white serif type over a blue and green textured drawing of abstract, rounded shapes.
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William Luz: The Shape It Makes

An open book shows a simple illustration of a face on the right page, composed of an orange triangle, two grey circles and a green arch. The left page contains the text “The shape of a self portrait (your self or another self)?”.
Above

William Luz: The Shape It Makes

An open book featuring a colourful illustration of three overlapping organic shapes in orange, purple and green. On the left page, text reads “The shape of a marvellous bird you once saw in the zoo?”.
Above

William Luz: The Shape It Makes

An open book with a simple illustration and text. On the right, three textured, crayon-like shapes in green, yellow and brown overlap. The left page reads, “The shape of the big tree you used to sit beneath in the park in your home town?”
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William Luz: The Shape It Makes

An open sketchbook showing two pages of colourful, abstract drawings. The left page features a pink central form flanked by orange circles above a green arch, while the right page shows a blue shape and green circle resting in a brown bowl.
Above

William Luz: The Shape It Makes

An open sketchbook showing two colourful drawings. The left page features a yellow shape inside a blue bell jar, while the right page shows a composition of blue, green and orange forms.
Above

William Luz: The Shape It Makes

Two abstract figures drawn in coloured pencil in a sketchbook. The figure on the left consists of a green circle above a blue bell shape containing an orange circle. The figure on the right features a green pointed shape above a blue rectangle and a large orange oval.
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William Luz: The Shape It Makes

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