Fashion and editorial photographer William Selden’s latest collaborative series with set designer Gary Card for Ponystep Magazine turns their combined alien eye for tone and depth on two seemingly random things; a kitten and iridescent plastic.
The combination of the two is a textural high – a study in colour and surface and light, the way the kittens fur absorbs it and the plastic refracts it. The psychedelic over tones and cutesy appeal is disarmingly aesthetic and, even if cats are the techno meme of the millennium, Gary and William’s strange kitten portraits are pretty (in all senses of the word) damn special.
- Miranda July’s latest work is a high-tech portrait of the Uber driver who took her to interview Rihanna
- Léa Augereau's figurative paintings feature a diverse range of strong and confident women
- Artist Adam Ferriss' photography filters are better than any on Snapchat
- Graphic designer Jaap Smit physicalises the web in his data-driven practice
- How Alex Prager made the world stop and stare
- Photographer Louise Reinke's latest shoot is inspired by the legendary Dionne Warwick
- "Don't drink and dance in front of your peers": ten creatives on their biggest mistakes
- All internships are not created equal: how to spot the best opportunities and have the courage to reject the duds
- Crayola launches a makeup range based on its ubiquitous crayons
- Beyoncé and Jay Z take over the Louvre for Apeshit music video
- Why counter-culture matters: Rough Trade launches publishing venture designed by Craig Oldham
- Greg Sharp animates a video that builds in momentum for the catchiest song of the year