Osaka-based artist Yasuaki Onishi uses humble, simple materials – black glue, plastic sheets, nylon thread – but somehow a large space is majestically occupied with his inverted landscapes, the “reverse of volume”, allowing a viewer to occupy a space that would otherwise, perceptively, be given over to something of monumental density. Now showing in Texas’ Rice University Art Gallery, Onishi’s latest installation makes real his interest in the invisible, “like time, or air, or gravity” – constructing a suspension of weight/space/belief that can be observed from all angles and never to the same effect.
Yasuaki Onishis: reverse of volume RG is now on show at Houston’s Rice Gallery until June 24.
- Phile magazine on sexual subcultures, power struggles and the launch of their second issue (NSFW)
- Why Design Thinking is bullshit
- Friday Mixtape: a mammoth mix from school project turned great band, Lowly
- Even magazine challenges the “elitist, opaque and unapproachable” discussion around art
- Meet Love Man: an illustrated big-hearted alien-human looking for his other half
- Liz Nielsen wants to create photographs that give viewers "an ah-ha moment"
- Photo of a single atom wins science photography prize
- Google tackles image copyright infringement with latest design tweak
- University of Portsmouth receives backlash over costs of its rebrand
- Ikea partners with Hasselblad to offer more “inspiring” prints for its frames
- Animator John McLaughlin’s fuzzy world of big-eyed, triangular fuzzy dudes
- Creative director Patrick Li on T: The New York Times Style Magazine's conversational new redesign