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Two people move a large, abstract stone sculpture on a small orange trolley along a roadside. The sculpture is a tall, beige block with organic curves and a series of horizontal ridges on one side.
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Date
5 October 2015
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Exclusive extract from Lance Wyman: The Monograph published by Unit Editions

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Date
5 October 2015

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There are very few books I can remember being genuinely excited about receiving but Unit Editions latest tome on Lance Wyman is certainly one of them – and it didn’t disappoint.

The monograph is the first major publication devoted to Lance Wyman’s entire output. It showcases the achievements of a long and productive career, from his early work for General Motors, through his iconic designs for the Mexico 68 Olympics, to the Minnesota Zoo (which we have an exclusive extract below) and his more recent projects.

A zoo map sign stands outdoors, partially buried in deep snow. The black board features a white diagram of trails and a key listing various paths, including the “Ocean Trail” and “Sky Trail”.
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Map in situ

Minnesota Zoo — Exclusive extract from Lance Wyman: The Monograph

Time magazine was to call Lance Wyman’s work for the Minnesota Zoo ‘one of the best designs in the USA in 1981.’ When the assistant director of the National Zoo (p.063) was appointed to run the Minnesota Zoo, he contacted Wyman with the intention of commissioning him to undertake a communication programme similar in scope and range to the one for the National Zoo. He had been Wyman’s client on that earlier project.

Wyman began his search for an animal image that he could synthesise with the letter M to create an expressive and memorable logo for the zoo. He first investigated the possibility of using the head of a wildebeest. When this proved unsatisfactory he experimented with other animal imagery before finally settling on the moose, an animal with strong local associations. It is Minnesota’s largest wild animal, and Minnesota is one of the few states where moose still exist in the wild.

The Minnesota Zoo logo, with its powerful combination of a moose’s head and antlers with the letter M, is one of Wyman’s most distinctive and emotive graphic inventions. Wyman notes that when his granddaughter first saw the moose and M combination, many years after its creation, she said, ‘I want that.’ He took this as a sign of the symbol’s power: ‘You can’t fake that,’ he states.

Having successfully synthesised the letter M with a moose, Wyman saw the potential for a series of alphanumeric icons to use throughout the zoo. He realised that trails and walks were not easy to recall if maps did not have symbols. He created icons for the five major zoo trails, each incorporating the image of an animal found on that trail: whale (Ocean Trail); tropical bird (Tropics Trail); beaver (Minnesota Trail); monkey (Discovery Trail) and camel (Northern Trail). The zoo’s identity and signage is predominantly black and white against a charcoal background.

In addition to the symbol, logotype and identifying symbols for the Zoo, a complete custom typeface was designed to be used on all signage and printed communication.  

The commissioning of this project coincided with the end of the partnership between Wyman and Bill Cannan: after the project, Cannan set up his own office and Wyman continued under his own name.

Left

Signage in situ

Right

Signage in situ

A circular road sign with a red border and a diagonal strike-through stands in a snowy landscape. The black symbol inside the sign depicts a right-turn arrow that ends in a bird’s head.
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Left

Signage in situ

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Signage in situ

A dark green sign with a white border reads “EXIT” in bold capitals. Below the text, a white arrow pointing upwards is styled to look like a bird.
Above

Signage in situ

A bold, black typographic alphabet and number set on a white background. The rounded, heavy characters are arranged in rows, including a full A–Z sequence, numerals 0–9 and various punctuation marks.
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Typeface

An infographic titled “Zoo Trails” displays six themed routes, each with a numbered icon and a corresponding animal photograph. The trails include “Ocean Trail”, “Tropics Trail”, “Minnesota Trail”, “Discovery Trail”, “Northern Trail” and “Sky Trail”. A row of black and white pictograms at the bottom indicates available facilities, such as food service and wheelchairs.
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Typeface and service icons developed for the Minnesota Zoo by Lance Wyman. As is usual with Wyman’s typefaces, iconography and symbols, they integrate fully with the logo to create a coherent and unified graphic identity.

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Promotional posters for Minnesota Zoo designed by Lance Wyman. Unusually for Wyman, photography has been used.

A white monkey with a black face sits on a thick tree branch against a dark background. Text at the bottom of the image reads “Minnesota Zoo’83”.
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Left

Promotional posters for Minnesota Zoo designed by Lance Wyman. Unusually for Wyman, photography has been used.

A tiger stands on a snowy rock, leaning down to drink from a small waterfall. At the bottom of the image, light blue text reads “Minnesota Zoo’82”.
Two black hardback books are stacked against a black background. The covers feature a white abstract linear graphic and the text “Lance Wyman: The Monograph”, with editors “Adrian Shaughnessy” and “Tony Brook”.
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Lance Wyman: The Monograph

Left

Lance Wyman: The Monograph (spread)

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Lance Wyman: The Monograph (spread)

An open book shows a photograph of a cluttered design studio. A large desk is covered in papers and books, while the walls are lined with a grid of small colourful prints.
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Left

Lance Wyman: The Monograph (spread)

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Lance Wyman: The Monograph (spread)

An open book displays a collection of colourful postage stamps from the Mexico 1968 Olympics. The left page shows grids of stamps in bold primary colours, while the right page features a mix of stamps and larger commemorative sheets.
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Lance Wyman: The Monograph (spread)

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Lance Wyman: The Monograph (spread)

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Lance Wyman: The Monograph (spread)

An open book shows two pages featuring a bold, black graphic of the number “5”. The left page displays the symbol on a plain white background, while the right page shows it as a large-scale installation on a white wall.
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Left

Lance Wyman: The Monograph (spread)

Right

Lance Wyman: The Monograph (spread)

An open book displays two pages of a grid of minimalist icons. The left page features white symbols on magenta backgrounds, while the right page shows white symbols on blue backgrounds.
Above

Lance Wyman: The Monograph (spread)

Edited by Adrian Shaughnessy and designed by Spin Lance Wyman: The Monograph is available now from Unit Editions priced at £75.

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About the Author

Will Hudson

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Will is co-founder of It’s Nice That. Once one of the main contributors to the site, he stepped back from writing as the business expanded. He currently works across It’s Nice That, Creative Lives in Progress and If You Could Jobs.

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