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An illustration of two figures facing each other across a split-colour background. Bold white text in the centre reads “Maddy Mould”, with a small white shape cutting through the first name.

Illustrator Maddy Mould's thoughtful, craft-led work brightens up the everyday

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Maddy Mould is an illustrator with a passion for pattern and print. She has just completed her BA illustration degree at the University of Cumbria and has a portfolio that demonstrates a bold use of colour and enthusiastic experiments with how her style might be applied to different textiles. “After taking fine art at college I was told by my tutor that the work I was making was ‘too illustration-y’. I thought, fine, that’s what I’ll do then,” says Maddy. “I love illustration because it’s all about creating images to be used for everyday things; to go with newspaper articles, or on juice cartons or shopping bags or whatever. It brightens up mundane things and is everywhere.”

A person with reddish-brown hair and bangs stands against a plain concrete wall. They wear a black velvet top, a denim skirt and sunglasses perched on their head.

Her A5 zine Two Chinas catalogues the juxtapositions between the traditions of the nation and its acceleration to modernity with lively depictions of her experiences. Maddy’s four colour print Roman Menagerie draws inspiration from the Roman heritage of Carlisle and presents them in an impressionist style with a pop colour palette. “I love working with simple geometric shapes, and I’ve found that the majority of my work uses a particular colour palette,” says Maddy. “A lot of the time, my work begins with papercuts and I use this really lovely pack of sugar paper. I learned I work best like this and with these sort of grubby pastel tones. I scan in the papers and collage them digitally – this keeps the texture, something I like to think is visible in my work.”

Throughout her course, Maddy found that her tutors and peers were a constant source of inspiration. “You need to make an effort to avoid the echo chamber. Don’t work on things completely alone or only hear the opinion of one other person. Working in a studio with loads of other creatives is a really valuable thing. Getting constructive criticism can pull you out of a rut you’re in with a piece of work and steer you into a new direction,” she says. “Ask people what they think and be ready to look at what you’re doing more critically. Other people will see things that you’ve missed and you’ll ask yourself – how did I not realise that?”

Following her degree, Maddy has set up a studio, Lucky Me Lucky You, with two of her fellow graduates. “The name is a bit of an esoteric reference to a particular scene in Toast of London, but we feel like it works as a studio name because we want to treat everything we do as a two-way street of happiness. Lucky us, lucky client,” she says. “We’re going to be based for the first year in an office in the studios at the university, as we’re also doing an artist residency for 12 months. It’s a great chance to keep on using the facilities and workshops, and also potentially sitting in on crits with other students and maybe running a couple of workshops ourselves.”

An illustration for “Bruxelles” featuring a grid of six comic-style panels. The scenes show figures in various states of reflection and conversation, including a person leaning on a balcony and two people sitting at a small table.
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Maddy Mould: Heroes

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Maddy Mould: Two Chinas

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Maddy Mould: Two Chinas

A collage on a tan background featuring red animals in cages and a tank of red fish. Text in Chinese and English includes “宠物”, “pets”, “fruit” and “old town”.
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Left

Maddy Mould: Two Chinas

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Maddy Mould: Two Chinas

A collage featuring four panels of animals on a mint green background. The panels show eels on a red circle, frogs on a black square, fish on a black rectangle and turtles on a red oval. Handwritten text in English and Chinese labels the animals and the bottom of the image reads “supermarket.”
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Maddy Mould: Two Chinas

An illustration of various marine animals and plants in pink and teal. A numbered key at the bottom identifies species including “Mozuku seaweed”, “Box jellyfish” and “Black banded sea krait”.
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Maddy Mould: Okinawa

A blue and cream illustration of various marine creatures and plants. A numbered list at the bottom identifies the subjects, including a “Black banded sea krait”, “Blue ringed octopus” and “Box jellyfish”.
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Maddy Mould: Okinawa

The front and back covers of a book titled “The Doors of Perception” by Aldous Huxley. The cover features a blue vase holding three stylised pink and blue flowers against a black, textured background.
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Maddy Mould: The Doors of Perception

G . F Smith

It’s Nice That’s Graduates 2016 is kindly supported by G . F Smith, whose gorgeous range of papers and services can be just the thing for new and soon-to-be creative grads. The 130-year-old paper company has a long history of working with designers and artists at all stages of their careers, with its high-quality and innovative paper products offering a huge range of creative possibilities.

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About the Author

Owen Pritchard

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Owen joined It’s Nice That as Editor in November of 2015 leading and overseeing all editorial content across online, print and the events programme, before leaving in early 2018.

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