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Photographer Chris Bethell gets inside the Extinction Rebellion protests for Vice

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Date
9 May 2019
A group of people rest and lounge on the ground beside a vehicle. One person wears a high-visibility yellow vest, while another leans back against a white bundle of fabric.
Above
Left

All photos by Chris Bethell

A shopping trolley is filled with rolls of toilet paper. A cardboard sign attached to the side reads “DONALD TRUMP TOILET PAPER” next to a caricature of the former US president.

London-based photographer Chris Bethell caught our eye with The Duke of Earl, a search for identity, family and roots in rural America. Since then, the hotshot snapper has gone on to work for publications like Dazed and The Wire, and was recently featured in The British Journal of Photography. Oh, and The Duke of Earl picked up the Under 30s Gold Award for The Royal Photographic Society’s International Photography Exhibition.

His latest project sees Chris taking to the streets of London for Vice, hoping to capture what exactly went down at the large-scale Extinction Rebellion protests, which recently saw central London grind to a standstill as concerned environmentalists took to bridges and thoroughfares to scare government into action on climate change.

Chris’ association with the new media powerhouse goes back a bit. “I had my first lucky break with Vice about seven years ago now,” he tells us. “They’ve given me a lot of freedom in my work.”

Bethell worked with Vice journalist Michael Segalov on a series of reports from the frontline of the Extinction Rebellion events.

Most of the time the protestors were pretty unaware that I was taking photographs of them," he comments when we mention the in-the-moment feel of the photos he took during the course of a long, balmy weekend. “Occasionally I would see an intimate moment and ask people if they could stay as they were while I documented it.”

Bethell is now releasing a previous unseen stash of photos from the events exclusively here on It’s Nice That.

“After reading Ben Smoke’s piece in The Guardian about why arrest shouldn’t be glorified as a tactic I was a little skeptical of Extinction’s approach,” he tells us. “However, after spending several days walking around each site, overhearing talks and discussions and seeing the protest not only grow, but survive for as long as it did, it was hard not to be inspired. Seeing the headlines change from Brexit to climate change was a welcome relief — even if many articles revolved around delayed commuters.”

Check out Chris’ images below.

Two tyres are stacked to create a waste bin, with “FOOD BIN” hand-painted in white across the side. It sits between two cardboard boxes lined with black plastic bags, one of which is marked “RECYCLE”.
A pair of light green underwear lies discarded on a rough, brown asphalt surface. The waistband is a darker shade of green with a repeating white logo.
A person wearing a black hooded robe and a white mask holds up a large white sign. The sign reads “BAN LAWN-MOWERS” in bold red and black lettering, framed at the top by a scythe.
A person in a colourful coat kneels on a city street, holding a long wooden pipe. A large white dog stands in the foreground, while other people and police officers watch from a nearby bridge.
Two people embrace in a street scene, one wearing a colourful patterned knit jumper and a crown of dried flowers. They are surrounded by other people and tall, thin branches of budding greenery.
A metal colander filled with fresh green herbs sits atop a cardboard box. Below, another box containing broccoli and other vegetables is labelled “Organic Fyffes” and “Organic Bio Bananas”.
A person in a neon yellow jacket holds up a large white banner. The hand-painted text reads “CLIMATE EMERGENCY! SO LITTLE TIME ACT NOW!” and “Extinction Rebellion Exeter”.
A person speaks into a megaphone while surrounded by a crowd. They wear a white T-shirt with the text “EVERYTHING IS OK*” printed across the chest.

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About the Author

Josh Baines

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Josh Baines joined It's Nice That from July 2018 to July 2019 as News Editor, covering new high-profile projects, awards announcements, and everything else in between.

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