Launch Recite Me assistive technology
An animation in which black and white serif letters shift across a red background to spell “REVIVAL!”. The background then changes to blue as the letters rearrange to spell “INTENTO”.

The Foundry relaunches with a new name and 23 typeface families

After an eight-year hiatus, two designers from the original studio have reunited to reboot it under the new moniker The Foundry Types.

—
Date
24 September 2020

The Foundry was originally set up over 30 years ago by David Quay and Freda Sack, who then took on Stuart de Rozario as a junior designer in 1998. The team collaborated with legendary designers such as Wim Crouwel; built up a library of well-known typefaces, including Foundry Sans, Foundry Monoline and Foundry Gridnik; and created corporate typefaces for brands such as NatWest, Yellow Pages, Swiss International Airlines and the World Wildlife Fund.

Today, eight years after the studio was disbanded, two of the original team members – David and Stuart (Freda sadly passed away last year) – have reunited to revive the company under a new name: The Foundry Types. Their mission, they say, is to continue The Foundry’s legacy of designing well-crafted and unique typefaces, utilising their combined total of over 75 years of experience in type design, which has seen them live through every technological stage of the medium “since hot metal”, as they put it in a statement.

To coincide with the launch, David and Stuart approached 17 of their designer friends to create assets showcasing their newly released typeface Foundry Tiento, a face with a neo-classical aesthetic that lends itself to editorial, headline display and branding projects. These designers include Andy Altmann, Iancu Barbarasa, Becky Chilcott, Roger Fawcett-Tang, Joe Faulding, Ade Mills, Nicole Arnett Phillips, Lucienne Roberts, and Gilmar Wendt. They were all given the same brief, loosely based around ideas of “Rebirth / Reboot”. (You can see a small selection of the responses to that brief below.)

“The opportunity to work alongside David again after eight years apart, is not only very exciting, it fills me with immense pride,” partner Stuart de Rozario wrote in a statement. “David and Freda gave me my first big break after leaving college in 1998.” Having spent seven years working for Fontsmith (now part of Monotype), he says he now feels like he is returning “home to where my heart is”. Today, he goes on to say in the statement, “we give The Foundry Types a rebirth, aiming to continue Freda’s legacy.”

The new foundry is being launched with a new website, designed by Clare Playne and her team at Playne Design, and 23 typeface families in total.

GalleryThe Foundry Types: Examples of the Tiento typeface (Copyright © The Foundry Types, 2020)

A typographic pattern of white serif text set against a bright pink background. The repeating phrases include “Gracefully Refined”, “Neo-Classic Modern”, “Decilately Poised”, “Lyrical Hairline”, “Exquistitely Drawn”, “Subtly Curvaceous”, “Inspiringly Dramatic” and “Expressively Fluid”.
White serif text on a bright pink background lists various European cities, including “London”, “Amsterdam” and “Barcelona”. Small arrows point in different directions between the names, ending with the phrase “Home Again”.
A bright pink beer label features the word “Tiento” in bold, black serif typography. Below, white text reads “beer”, “100% ingredientes naturales” and “brewed in Barcelona”.
An abstract graphic of a large, serif capital “B” in burnt orange. The letter is layered with translucent, overlapping circles and shapes in shades of pink and gold against a pale pink background.
Above

Gilmar Wendt for The Foundry Types (Copyright © Gilmar Wendt, 2020)

A typographic illustration featuring a mix of black and red serif fonts on a white background. The text includes the seasons and the words “unlocking” and “locking”, alongside a quote by Kurt Vonnegut: “There are six seasons instead of four”. Two red line drawings of keys are scattered among the words.
Above

Iancu Barbarasa for The Foundry Types (Copyright © Iancu Barbarasa, 2020)

White and pink text on a bright orange background reads “Firebird stole every tree canopy and kookaburra song.”
Above

Design by Becky Chilcott for The Foundry Types, using words by Dettra Rose (Copyright © Becky Chilcott, 2020)

A collage of vintage football boots in black and white, some layered over bold red typography that reads “reboot”. The text “2020.” and “Slam Range” appear in black across the white background.
Above

Andy Altmann for The Foundry Types (Copyright © Andy Altmann, 2020)

A typographic image on a white background. Red and black text reads “re: birth sounds so optimistic – full of swashes & swirls, the ascending arms and arcs as out POP(!) those new gl-curls!”.
Above

Lucienne Roberts for The Foundry Types (Copyright © Lucienne Roberts, 2020)

A 3D render of flowing, organic shapes made from thousands of fine pink lines. The curved forms swirl across a plain white background.
Above

Nicole Arnett Phillips for The Foundry Types (Copyright © Nicole Arnett Phillips, 2020)

A grid of 25 circular compositions featuring abstract, overlapping typographic forms. The letters are rendered in shades of cyan, magenta, and white against alternating black and light blue backgrounds.
Above

Nick Feeney for The Foundry Types (Copyright © Nick Feeney, 2020)

Hero Header

Bryan Edmondson for The Foundry Types (Copyright © Bryan Edmondson, 2020)

Share Article

About the Author

Matt Alagiah

—

Matt joined It’s Nice That as editor in October 2018 and was editor-in-chief in September 2020–2024. He was previously executive editor at Monocle magazine. He is now a freelance writer and editor.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.