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Acclaimed Vogue illustrator Jason Brooks turns tour guide in his intricate New York Sketchbook

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Date
18 August 2017
A yellow sketchbook cover features the words “NEW YORK” in large, black serif typography. White line drawings of city skyscrapers and a small figure stand behind and beside the text, with the word “Sketchbook” written in script below.

Born in Brighton in 1969, illustrator Jason Brooks made his name working regularly for British Vogue and drawing couture shows in Paris for The Independent. However it’s his sleek, sultry ladies for Hed Kandi that make his style instantly recognisable, having decorated all of the five million albums the label has sold. Throughout his career, from a Central Saint Martins and RCA student to commercial fashion and music illustrator, he has always kept a travel sketchbook, and it’s this he’s returning to for the latest in a series of Laurence King tomes.

“New York Sketchbook is really the culmination of a lifelong passion for keeping illustrated travel notebooks, and an intense fascination with cities’ individual style and character,” he tells It’s Nice That. The book follows similar ones on Paris and London, which won a V&A Illustration award, and features an intricate guide to everything from restaurants and shops to architecture and people in the Big Apple.

“The initial idea came when I was creating glossy, very digital artwork for Hed Kandi and I wanted to avoid being typecast and show what else I could do,” he says. The first was Paris, but New York he says has proven the most challenging so far. Jason recorded the city through documentary drawing, spending countless hours exploring on foot and via the subway, drawing, taking pictures and writing notes. “Nothing is included unless I’ve personally experienced it, so I made several trips to the city across different seasons, each with a tightly mapped out daily itinerary. There’s a lot to cover, from the landmarks to the art galleries, museums and shops, as well as street drawing. Then I finalised and developed all the raw materials created on location in my studio.”

Jason says he aimed to create a sense of cinema in the opening section, “with drama and careful pacing”. One of the first double pages shows people arriving in the harbour dressed in 19th Century clothes against a backdrop of the Statue of Liberty in the 21st Century skyline, which Jason finds “moving and relevant”. In terms of the end, he doesn’t want to spoil it, but says: “I would like people to hear George Gershwin’s Rhapsody in Blue from Woody Allen’s Manhattan when they see it. 

“I want the book to evoke the city in an authentic and imaginative way that transports readers of any age on a personal tour through my eyes, whether it’s a visitor, resident or armchair traveller on the other side of the world.”

New York Sketchbook by Jason Brooks is published 21 August by Laurence King.

A diptych featuring two architectural drawings of New York City buildings. On the left, a black and white sketch shows the Flatiron Building towering over a street scene with a clock and pedestrians. On the right, a detailed illustration of a grey apartment block shows figures visible through lit windows and a black fire escape.
Above

Jason Brooks: New York Sketchbook

A black and white line illustration of a busy New York City street corner. Yellow traffic lights provide the only colour against a backdrop of tall buildings with fire escapes and a shopfront reading “Alleva”.
Above

Jason Brooks: New York Sketchbook

An illustration of a dense city skyline, viewed from a high angle. A sea of sketched skyscrapers in white, grey and red stretches towards a distant horizon under a pale blue sky.
Above

Jason Brooks: New York Sketchbook

A sketch of the 9/11 Memorial in New York, showing a large square reflecting pool. People stand around the edge of the water, with the One World Trade Center and other skyscrapers rising in the background.
Above

Jason Brooks: New York Sketchbook

An illustration of several stylish people walking through a city street. In the background, white buildings stand under a pale sky beside a yellow taxi.
Above

Jason Brooks: New York Sketchbook

An open book shows a sketch of a modernist building with curved white walls and yellow accents. A yellow taxi drives past the structure on a wide city street.
Above

Jason Brooks: New York Sketchbook

An open book shows a close-up of the Statue of Liberty on the left page. The right page features a cursive quote, “Give me your tired, your poor, your huddled masses, yearning to breathe free,” attributed to Emma Lazarus in 1883.
Above

Jason Brooks: New York Sketchbook

An open book shows a black and white photograph of the New York City skyline on the left. On the right, a colourful painting depicts a busy street in Times Square with yellow taxis and bright billboards.
Above

Jason Brooks: New York Sketchbook

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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