“Even if I am simply one more woman laying one more brick in the foundation of a new and more humane world, it is enough to make me rise eagerly from my bed each morning and face the challenge of breaking the historic silence that has held women captive for so long.” So speaks the pioneering feminist artist, arts educator and writer Judy Chicago.
This year, the year of Chicago’s 80th birthday, The Baltic Centre for Contemporary Art in Gateshead presents the first major comprehensive showcase of the artist’s works in the UK. From 16 November, a body of artworks spanning Chicago’s fifty-year practice will be opened to the public in recognition of her formative impact on feminism as art and feminism as a movement.
As well as presenting some of her most significant and influential works, the exhibition includes documentation of Chicago’s early performative pieces and recent works like The End: A Meditation on Death and Extinction, not previously shown beyond the US, and her newest, unseen work, A Purple Poem for Miami.
The Baltic’s head of curatorial and public practice Irene Aristizábal states: “Chicago’s work hasn’t had the deserved visibility in the UK and this exhibition aims to redress this whilst engaging with subjects close to Chicago’s heart and to the public consciousness such as the extinction emergency and what feminism means today.”
This survey honours Chicago’s contribution to socio-political debate and the incitement of social reform from within the realm of art, as well as displaying her breadth and skill as an artist who has worked in photography, performance, painting, needlework, pottery, print and pyrotechnics.
The exhibition opens 16 November 2019 – 19 April 2020.
- Nazif Lopulissa rethinks the shapes and forms of the children’s playground
- Egg is an animation about attempting – and failing – to take control of something you are afraid of
- Why creatives should take the election advantage
- Adrienne Law on making something digital feel physical
- Kyuho Kim imagines the shapes of words in his inventive design practice
- Stomping boots and pouting lips, Taylor Silk’s woven women are icons of female sexuality
- “We want to challenge and disturb the audience”: meet graphic design studio Alliage
- Matt Willey leaves The New York Times Magazine and joins Pentagram
- Ikki Kobayashi’s new series investigates the tension between shapes and negative space
- “Perfectly beautiful things don’t attract me”: Heesun Seo on her nontraditional practice
- The Pantone Colour of the Year 2020 makes a statement about peace and communication
- Moleskine’s digital notebook and a visual inventory of Earth win Apple's Apps of the Year