Launch Recite Me assistive technology

Monotype release new typeface SST, originally designed for Sony

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Date
13 June 2017
A small building at night is topped with a glowing pink neon sign that reads “Hello”. The pink and blue lights reflect in a puddle on the dark pavement in the foreground.

Monotype has released a new typeface, SST, “a timeless sans serif created specifically to help brands consistently extend their brand across multiple mediums and geographies”.

Designed by Monotype’s Type Director, Akira Kobayashi, SST was originally designed for Sony. The typeface which can support “nearly 100 languages” is now available worldwide.

By being originally designed for a company the typeface strikes “a careful balance between style requirements and cultural sensitivities,” combining, “the organic readability of humanist sans serif designs with the sharp geometrics of neo-grotesque styles”. Available in six different weights and italics, the typeface is a nuanced font, of rounded shapes in both a corporate and personable style.

On the font’s design Akira explains: “The SST typeface is consistently rich and legible and was designed with the purpose of making a brand experience memorable and uniform, without being too flashy. As part of our design remit at Monotype, we are focused on creating global designs that have both staying power and the ability to tell a consistent story, no matter what language is being used to tell it.”

Large, 3D rendered letters spell “SST” in a white corridor. Above them, a banner lists the typeface as “SST”, the designer as “Akira Kobayashi” and the foundry as “Monotype”.
Above

Monotype: SST

A close-up of a professional Sony Handycam video camera against a black background. Large Thai text at the top is translated in the bottom left as “High readability on both print and screen”.
Above

Monotype: SST

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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