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An illustration of two people posing together outdoors against a backdrop of large green tropical leaves. One person stands behind the other, shielding their eyes from the sun, while the person seated in front holds a plate of pastries.
An illustration of two people posing together outdoors against a backdrop of large green tropical leaves. One person stands behind the other, shielding their eyes from the sun, while the person seated in front holds a plate of pastries.

Solid Lines is Australia’s new illustration agency for First Nations creatives

Currently being developed by The Jacky Winter Group in consultation with First Nations creatives, the agency is taking a phased approach, which will culminate in it becoming entirely First Nations-owned.

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Date
26 October 2022

Solid Lines is an independent illustration agency that is dedicated to representing and nurturing Australia’s First Nation creatives. Initially being supported by The Jacky Winter Group – the illustration agency who represents the likes of Aaron Lowell Denton and Karan Singh – its website explains Solid Lines to be a venture “grounded by community” and “fuelled by a constant connection to identity, culture and county”. Its sole purpose is “forging strong and supportive pathways within Australia’s commercial art and design industry, for First Nations creatives to thrive”.

Developed at a grassroots level with community consultations with First Nations creatives – whose voices form the basis and ethos of the project – the agency provides the space for a whole roster of artists across various disciplines spanning contemporary and traditional styles. Over the next few years, while working on strengthening “respectful relationships and opportunities within a marginalised creative ecosystem”, the project will take a phased approach that eventually ends with the agency being entirely First Nations-led, owned, managed and controlled.

A bold typographic illustration featuring the words “SOLID LINES” in a thick, rounded font. The letters are integrated into a series of concentric circles in red, yellow, green and black.

The agency came into being after Nicola St John, a researcher at Royal Melbourne Institute of Technology (RMIT), had worked closely with Ntaria School in Hermannsburg, later creating a design initiative for students looking to enter the art and design spaces. “A crack quickly appeared, and the lack of culturally supportive pathways for emerging First Nations creatives to access the industry became apparent,” the Solid Lines website details. Following on from this, it was after Nicola’s week-long residency at the Jacky Winter Gardens in 2019 that the idea for a First Nations illustration agency first arose. Responding both to the Black Lives Matter protests and to represent their commitment to the project, the Jacky Winter Group “acknowledged a need for internal reflection and change” and a Statement of Commitment to the First Nations of Australia was developed.

Soon after, Emrhan Tjapanangka Sultan, an artist and longtime collaborator of Nicola’s was introduced to lead the concept. Of the Solid Lines project, he says: “Through supportive representation, acknowledgement and protection of Indigenous Cultural and Intellectual Property and negotiation of appropriate fees for our talent, we aim to generate beneficial partnerships and culturally safe creative opportunities within industries which have often been ignorant of or refused to engage with First Nations ways of working.” From the beginning, the initiative has been one collaboratively developed by Emrhan, Nicola, The Jacky Winter Group and numerous First Nations voices.

Currently existing as an “incubator project”, a press release details, the initiative will see a phased approach, as outlined on the agency’s website. Stage one will be a “nesting” period in which the agency “utilises and is dependent on the resources and support of the Jacky Winter Group”, while being overseen by Emrhan. The second stage sees the agency become a “hatchling” whereby it becomes a joint venture where ownership, management and shareholding handovers begin to be arranged. Stage three will see the agency become independent, entirely owned, managed and controlled by First Nations individuals. You can see a more in-depth breakdown of the stages here.

A collage of a muscular figure reclining on a red rock against a blue sky. The figure wears a yellow mask with red text, while a swarm of birds with eyes for wings circles above them.
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Copyright © ENOKi, 2022

An illustration of a purple mountain landscape under a pale violet sky. A dark red sun with a black dotted border hangs above the peaks, and a blue river flows across the foreground.
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Copyright © Kimberly Engwicht, 2022

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Copyright © Emrhan Tjapanangka Sultan, 2022

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Copyright © Emrhan Tjapanangka Sultan, 2022

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Copyright © Janelle Burger, 2022

A bright pink and orange poster reads “Solid Lines” in bold yellow type. Below the title, a list of names includes “Coree Thorpe”, “Emmy Webbers” and “Tyrown Waigana”.
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Copyright © Solid Lines, 2022

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Copyright © Solid Lines, 2022

A graphic in orange and dark blue reads “Solid Lines”. Below, a block of text reads “A First Nations led illustration agency fuelled by a constant connection to identity, culture and country.” Eucalyptus leaves frame the left and right sides of the image.
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Copyright © Solid Lines, 2022

A grid of ten colourful illustrations, each framed in a gold border against a bright pink and orange gradient background. Each artwork is paired with the artist's name below, including “Coree Thorpe”, “Emmy Webbers”, “Emrhan Tjapanangka Sultan”, “Enoki”, “Janelle Burger”, “Jeswri”, “Kimberly Engwight”, “Ryhia Dank”, “Tori-Jay Mordey” and “Tyrown Waigana”.
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Copyright © Solid Lines, 2022

An illustration featuring the Aboriginal and Torres Strait Islander flags surrounded by black and white doodle patterns. Speech bubbles read “GET UP!”, “STAND UP!” and “SHOW UP!”. Two raised fists frame a central block of text that includes phrases such as “BLAK LIVES MATTER!” and “STOP STEALING OUR KIDS!”.
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Copyright © Ryhia Dank, 2022

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Copyright © JESWRI, 2022

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Copyright © JESWRI, 2022

A 3D render of swirling, topographic lines in red, orange and green against a dark blue background. The lines curve and overlap to create a sense of depth and fluid movement.
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Copyright © Coree Thorpe, 2022

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Copyright © Emmy Webbers, 2022

Further Info

Copyright © Tori-Jay Mordey, 2022

About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. ofh@itsnicethat.com

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