Somewhere over the Loire river, France a 26 × 20 × 32 meter inflatable, rubber coated PVC duck sits.
‘A yellow spot on the horizon slowly approaches the coast. People have gatherd and watch in amazement as a giant yellow Rubber Duck approaches. The spectators are greeted by the duck, which slowly nods its head. The Rubber Duck knows no frontiers, it doesn’t discriminate people and doesn’t have a political connotation. The friendly, floating Rubber Duck has healing properties: it can relieve mondial tensions as well as define them. The rubber duck is soft, friendly and suitable for all ages!’
- Malika Favre talks about studying engineering, her first job and tight deadlines from The New Yorker
- Say what you see, it’s Best of the Web!
- The art of plane watching captured by Mindaugas Kavaliauskas
- Friday Mixtape: escape from the world with Xenoula's ethereal mix
- Towers of Thanks: Res photographs their mother's life working for Donald Trump
- A world of pain: Sixteen Journal's latest issue
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner