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A person in a yellow dress holds a child in a blue outfit on a green football pitch. They stand before an empty goal and a tall perimeter fence under a clear blue sky.

Lucia Morate's mysterious portfolio features in our latest ABSOLUT Network profile

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Date
16 November 2012

Photographer Lucia Morate boasts a portfolio packed with artfully-shot enigma. The Madrid-based creative enjoys taking familiar set-ups and then twisting them to confound our expectations in a pleasantly disorientating way. So in Cactus in Bloom he takes the trust exercise of a person falling into someone else’s arms – a real office training favourite – and recreates it in all manner of striking locations. Similarly a series of small plastic animal figurines shot in shadowy profile raises any number of questions, to which the project title – Plastcized – teasingly hints at some answers.

Elsewhere Things Are Not As They Were sees a nude female interacting with the strange shell of what may be have once been a grandiose building throwing up an inetresting juxtapositon between her youth and vitality and the decrepit, crumbling structure.
Lucia is one of the editors of the 10 × 5 fanzine and so clearly has a wider outlook on the creative world than is sometimes the case – once can only assume that his understanding of the milieu in which he operates helps him toy with the rules in such interesting ways.

For the next few weeks we’re showcasing some of the dazzling creatives which form part of the ABSOLUT Network, which brings together some of the finest cutting-edge creatives in Spain.

Two people in black coats stand on a circular concrete terrace overlooking a sprawling city. One person reaches out to hold the other, who leans back away from them.
Above

Lucia Morate: Cactus en flor

Two people stand on a sandy beach facing each other, with the ocean and a cloudy sky behind them. One person wears a grey jacket, white trousers and an orange scarf, reaching out towards the other.
Above

Lucia Morate: Cactus en flor

Two people lean back-to-back in the centre of a wide, empty road. They are flanked by rows of green trees and street lamps under a bright blue sky.
Above

Lucia Morate: Cactus en flor

A person stands with both feet inside a terracotta plant pot. They are surrounded by tall, dry yellow grass in an outdoor setting.
Above

Lucia Morate: Untitled

A person stands with their back to the camera, leaning against a white wall in a concrete building site. The space is stark and industrial, with a sloping ceiling and exposed wires running across the floor.
Above

Lucia Morate: Las cosas no son como fueron

A person stands in the centre of a vast, derelict hall with crumbling white walls and a vaulted ceiling. The space is empty, with peeling paint and exposed brickwork creating a weathered, atmospheric setting.
Above

Lucia Morate: Las cosas no son como fueron

A person stands against a brick wall in a dim, narrow corridor. The floor is covered in debris and the space is lit by small, bright openings in the walls.
Above

Lucia Morate: Las cosas no son como fueron

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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