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A brand identity guide for “indice the eyewear lounge”. It shows a bold, black logotype and a radiating, fan-like trademark symbol against a pale yellow background.
A brand identity guide for “indice the eyewear lounge”. It shows a bold, black logotype and a radiating, fan-like trademark symbol against a pale yellow background.

Adoratorio Studio takes a new lens on eyewear with a soft but technical rebrand for Indice

By creating a visual world around the brand that positions it away from anything conventional in the category, the agency have made the label feel more like a lifestyle brand than luxury retail.

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Date
3 August 2026

What interests independent creative agency Adoratorio Studio when it comes to building visual identities for brands is not their size, field or discipline, instead, the studio is often drawn to “those who care deeply about how things are made and communicated, and who believe design can do more than support growth; it can shape culture and contribute meaningfully,” shares co-founder Camilla Zampolini. Working across strategy, identity and communication, the studio takes on multidisciplinary projects across their two bases in Brescia and Amsterdam that allow them to shape “not just how a brand looks but how it behaves and speaks”, Camilla adds. One brand that had been on the studio’s radar for quite some time was the designer eyewear brand Indice, and, in line with the label’s tenth anniversary, the studio recently got the chance to partner up with the shop to build both a fresh design identity and a campaign surrounding its relaunch.

Each project starts by understanding the particularities of a brand at Adoratorio, and Indice was no different. To find the most “compelling way to make its character visible, tangible and memorable”, says Camilla, the agency dug into the stores ambition to move beyond being simply labelled a retailer and establish themselves “as a distinctive cultural reference within the niche luxury-eyewear landscape”, Camilla says – “not simply a place where glasses are sold, but a brand people want to enter, experience and belong to”.

A grid of four blurred, high-contrast black and white portraits of people wearing sunglasses. Each image includes the text “the eyewear lounge” and the brand name “indice”.
Above

Adoratorio®️Studio: Indice Rebranding (Copyright ©️ Adoratorio®️ Studio, 2026)

By renaming the brand’s location as The Eyewear Lounge, the agency positioned Indice away from the conventional, sterile or even medical language that traditionally surrounds eyewear or luxury, which then allowed it to step into a new visual world. Tying it to a slow space in the home suggested “time, intimacy and conversation” a place whose collection displays a “deep knowledge of materials, craftsmanship and production”, says Camilla, sitting away from the regular rush of retail. This approach naturally led Adoratorio to draw from the soft interiors that define the inside of the store for a new visual language. That’s why the new logo takes from the very sofa you sit on when picking out your new frames, designed by De Sede – it also coincidentally looks like an eyelash.

“The logotype reflects the store’s sensual, sophisticated curves. The letterforms merge and flow into one another, creating a distinctive silhouette that prioritises feeling and personality over immediate legibility. Rather than simply spelling out a name, the logo was designed to evoke softness, movement and a certain visual seduction,” Camilla tells us. The colour palette for the visual system also draws directly from the interior from the soft butter yellow of the walls to the metallic grey of the stores shelves and panels.

Technical and restrained, this new face for Indice doesn’t push a singular graphic stamp but combines this abstract logo shape with bold condensed typography, pastel colours and photos with the soft grain of film to convey the same welcoming allure that defines an in person browse. “Together, these elements create a visual identity that feels like a natural extension of the store rather than something applied to it,” Camilla ends.

GalleryAdoratorio®️Studio: Indice Rebranding (Copyright ©️ Adoratorio®️ Studio, 2026)

A graphic design featuring the word “indice” repeated six times in a bold, lowercase sans-serif typeface. The text alternates between solid grey blocks and thin white outlines with visible grid points.
An open book rests on a perforated metal chair. One page shows a black and white portrait of a person, while the opposite page lists brands including “Chrome Hearts”, “Maison Margiela” and “Off-White”.
A typographic poster featuring a list of brand names in a bold, cream-coloured sans-serif font against a black background. The text includes “Dita”, “Chrome Hearts”, “Off-White” and “Linda Farrow”.
A dark, quilted sofa sits in the foreground of a minimalist room. Behind it, several pairs of glasses are displayed on recessed white shelves.
A distorted, close-up shot of a white T-shirt featuring a black logo. The text reads “indice” above a stylised, fan-like graphic.
A silver metal charm in the shape of a jagged, gear-like sun hangs from a black leather bag. The charm is attached by a small metal ring against the textured dark surface.
A blurred, high-contrast black and white portrait of a person wearing dark sunglasses. The word “indice” appears in a bold, lowercase typeface on the left, with smaller text reading “indice the eyewear lounge” and “Visual identity”.
A minimalist eyewear boutique with pale yellow walls and tan carpeting. Black leather modular sofas are arranged in the centre of the room, facing recessed shelves displaying rows of glasses.
The word “indice” is embossed into a plain, cream-coloured surface. The lowercase lettering is bold and rounded with a subtle 3D effect.

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Adoratorio®️Studio: Indice Rebranding (Copyright ©️ Adoratorio®️ Studio, 2026)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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