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A screenshot of the Alan Fletcher archive website. The page features a photograph of a bright, minimalist studio with a large white desk, a black office chair and built-in grey filing cabinets.

The new Alan Fletcher Archive reminds us of a phenomenal design talent

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Date
3 June 2013

It’s easy to forget that Alan Fletcher was one of the founding fathers of Pentagram. Since the release of his 2001 treatise on visual language, The Art of Looking Sideways, he’s risen to the ranks of art and design deity, lauded for his experimental approach to design and consistently playful imagery. Right up until his death in 2006, Alan worked prolifically from his west London studio, producing personal and commercial work in his inimitable style that traded in traditional design standards for something altogether more approachable. As a result it’s hard to picture him suited and booted, going to and from client meetings to present himself commercially.

Trying to encapsulate his remarkable career within a few simple paragraphs is a hopeless task, and simply should not be attempted. But archiving Alan’s lifelong body of work online, for all to experience, is a project we’ve been excited about witnessing since we heard of it at Kemistry Gallery a couple of years ago.

Together with Sarah Copplestone, Alan’s daughter, Raffaella Fletcher has just launched the first iteration of The Alan Fletcher Archive, a comprehensive resource of the great man’s work that brings together his universally known later work with a vast array of lesser-known projects from his younger years. There’s even a nod to some work completed immediately after leaving university that suggests the handiwork of a man still learning his craft.

Alongside the images are a selection of written pieces on Alan and his work as well as information about the individual projects themselves. For a Fletcher fanatic this site is a treasure trove of inspiration, and for those who don’t know him yet it’s a great place to lose yourself for a couple of hours and find out about one of the UK’s greatest designers.

A watercolour illustration of red and purple flowers in a green and a blue vase. Handwritten text below reads “we serve flowers for breakfast and lunch and dinner.”
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Alan Fletcher: Postcards: Dorset Square, The Pelham, Durley House and The Enterprise Bar & Restaurant

An illustration of a bouquet made from colourful, splattered paint dots in red, blue, yellow and green. Cursive text below reads “Bouquet of flowers from The Pelham”.
Above

Alan Fletcher: Postcards: Dorset Square, The Pelham, Durley House and The Enterprise Bar & Restaurant

An illustration of a dark, abstract figure reclining on a red striped sofa. Cursive text below the image reads “Portrait of a guest”.
Above

Alan Fletcher: Postcards: Dorset Square, The Pelham, Durley House and The Enterprise Bar & Restaurant

A watercolour illustration of a row of brightly coloured flowers on thin stems. Handwritten text below reads, “I can’t remember whether I saw these flowers in Kensington Gardens or in my room at The Pelham Hotel.”
Above

Alan Fletcher: Postcards: Dorset Square, The Pelham, Durley House and The Enterprise Bar & Restaurant

An illustration of a red and blue striped sofa with two green and white checkered cushions. Handwritten text below reads “the art of making four pointed stars out of square cushions”.
Above

Alan Fletcher: Postcards: Dorset Square, The Pelham, Durley House and The Enterprise Bar & Restaurant

A colourful screenprint on a white background reads “BEWARE WET PAINT”. The letters are rendered in a variety of bold colours with long, vertical drips of paint running down the page.
Above

Alan Fletcher: Beware Wet PAint

A black and white graphic of a circular swirl. Thick, curved bands overlap to create a rotating, vortex-like shape around a central white void.
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Alan Fletcher: Conference for Islamic Solidarity Identity

A green poster featuring a large, swirling circular graphic in black and white. Below the symbol, text in several languages reads “The Conference for Islamic Solidarity”.
Above

Alan Fletcher: Conference for Islamic Solidarity Identity

A circular green badge featuring a swirling, spiral graphic in black and white. The curved shapes coil around a central green circle.
Above

Alan Fletcher: Conference for Islamic Solidarity Identity

A green circular badge featuring a white and black swirling logo. Below the logo, the text “The Conference for Islamic Solidarity” is written in English, French and four other languages.
Above

Alan Fletcher: Conference for Islamic Solidarity Identity

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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