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A black and white line illustration split into two panels. The first shows a hairy leg and foot, while the second shows a hairy arm beside a curved, hairy torso.

Ángel Labarthe del Solar on the catharsis of documenting the trans experience in their art

“My process of becoming who I am today hasn’t been a crossing from one gender to another,” the artist says of the experiences that inform their deeply personal yet rewarding body of work.

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Date
24 June 2021

Born in Peru and currently based out of Los Angeles, multimedia artist Ángel Labarthe del Solar is something of an artistic polymath. Their work cuts across illustration, painting, oral histories, collage, and more. “I had to be my own representation for a long time and that was really scary,” he tells It’s Nice That. Ángel’s complex relationship with gender and pronouns – both before and after coming out as transgender – informs a lot of their work. “I’m constantly working through what [gender] means to me, which is why so much of my art is about this exploration.” In Ángel’s often graphic yet strangely delicate elaborations of this exploration, we bear witness to brightly coloured starkly “real” moments of the gender-diverse experience that coincide with “some pieces that simply mean nothing,” Ángel explains. As a “storyteller by nature,” Ángel finds the most exciting part of his work to be documenting and sharing narratives of all kinds. “It started in 2017,” Ángel tells us. “When I realised I was transgender, I began to religiously document my gender journey through self-portraits, drawings, writing, and recording voice messages. I have a tremendous archive of everything that I constantly pull from for inspiration.”

Whilst this form of art has always been very cathartic for her, Ángel admits to only recently starting illustration professionally, and painting only during the pandemic last year. “They were both two new mediums I could use to document and archive my journey,” he adds “It pulls together my love of colours. It’s a mix of fag meets cowboy meets unhinged, recovering addict.” Whilst this is an apt and fair assessment of their own work, Ángel also keenly adds they’re “not too concerned with having a signature visual style,” as the means of documentation is what lies at the heart of his work. “I think there’s something special about letting people bear witness to your experience,” they explain.

An illustration of a person’s lap and thighs, with a piece of pale fabric stretched across them. Red liquid drips from the fabric and onto the person’s fingers.
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Ángel Labarthe del Solar: And I’m an addict (Copyright © Ángel Labarthe del Solar, Feb 2021)

Ángel’s unflinching reflection of the everyday trans experience breathes life into her work and keeps it new and exciting. Across all his mediums, the images have a certain distinct eye, look, and feel that resonates with those that even aren’t trans. It speaks openly to all those who may wish to seek a deeper understanding of what it means to be outside the parameters of a cisgender culture that often mystifies transgender individuals as hyper-visible commodities of the market. Ángel’s most honest work of this nature comes under her Sundries project via her website. “The definition of ‘sundries’ means the various items not important enough to be mentioned individually, yet ironically, the Sundries page on my website has become the most vulnerable and meaningful to me,” he explains. For Ángel, it’s akin to what a visual personal archive looks like for them. They’re works originally not seen as distinct enough to be highlighted on their own, yet over time, Ángel has found all the disparate elements produce a cohesion that reflects most honestly on themselves. “It grapples with my gender, with my sexuality, my trauma, my euphoria, my addictions.”

“The trans community is everything to me, when I feel the most loved and held [by them] is when I create my best work,” says Ángel. “I think that’s because I’m able to let go and let myself be vulnerable, which is crucial with the type of work I aim to create.” As for vulnerability, Ángel’s own battles with addiction and mental health are certainly present in her work as well, but ultimately they shy away from demonising these moments in darkness. “I wanted to normalise the myriad complexities of my own experience,” he says. “I attempt to portray a reflection of my own lived experience because I want people to see themselves reflected.” Discarding what was once an intense bout of loneliness in their time coming out as transgender, Ángel operates out of the same tools of enlightenment and joy the trans community once gave him in his journey to acceptance. “It wasn’t until I found my community that I realised I could be someone that helps others feel seen by telling my own stories.”

A painting on a wooden panel of a sad clown wearing a blue cowboy hat and a star-patterned shirt. They have a red nose and a single tear falling from one eye. Floating around them are a revolver, dice, a heart, a club and yellow stars. The name “Ángel” is written in the bottom right.
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Ángel Labarthe del Solar: Bang Bang! (Copyright © Ángel Labarthe del Solar, March 2021)

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Ángel Labarthe del Solar: Twice as Sweet (Copyright © Ángel Labarthe del Solar, July 2020)

An illustration painted on a wooden surface shows a person wearing a green hat and yellow shirt. They hold four blue playing cards with red hearts, while a single tear falls from one eye. A dagger is plunged into the wooden table in front of them, next to an ashtray with two cigarettes.
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Ángel Labarthe del Solar: Twice as Sweet (Copyright © Ángel Labarthe del Solar, July 2020)

An illustration of a figure wearing a green hat and a yellow ruffled collar. They have red cheeks, a blue nose, and a single tear falling from one eye. The words “FALLEN DREAMS” curve around their shoulders, and they hold a single red flower.
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Ángel Labarthe del Solar: Fallen Dreams (Copyright © Ángel Labarthe del Solar, June 2020)

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Ángel Labarthe del Solar: Good Luck (Copyright © Ángel Labarthe del Solar, Feb 2021)

A painting of a figure wearing a wide-brimmed green hat and a yellow jacket with a red collar. They hold a purple pitcher and have a single blue tear on their cheek. Below them, a horseshoe is flanked by two red flowers and the words “GOOD LUCK”.
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Ángel Labarthe del Solar: Good Luck (Copyright © Ángel Labarthe del Solar, Feb 2021)

An illustration of a person holding a syringe against their thigh. They wear white underwear with a red waistband against a background of blue and yellow tiles.
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Ángel Labarthe del Solar: And I’m an addict (Copyright © Ángel Labarthe del Solar, Feb 2021)

An illustration of a hand with a rose tattoo picking up a small blue pill. Around them on a yellow and green tiled surface are spilled pill bottles, a rosary and an ashtray containing a cigarette and a pen.
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Ángel Labarthe del Solar: And I’m an addict (Copyright © Ángel Labarthe del Solar, Feb 2021)

An illustration of a person sitting in a car, wearing a red jacket and blue trousers. They wear two gold rings on their hand, while an orange drink can and a snack packet sit in the car's centre console.
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Ángel Labarthe del Solar: And I’m an addict (Copyright © Ángel Labarthe del Solar, Feb 2021)

An illustration of a book titled “Romantic Interludes: A Sensuous Lovers Guide” surrounded by various objects. A horseshoe, dice, a bottle of wine, a pack of Marlboro cigarettes, a rosary, and casino chips are scattered across a green surface.
Above
Left

Ángel Labarthe del Solar: And I’m an addict (Copyright © Ángel Labarthe del Solar, Feb 2021)

Right

Ángel Labarthe del Solar: And I’m an addict (Copyright © Ángel Labarthe del Solar, Feb 2021)

An illustration of a person seen from behind, wearing a light blue gown and red slippers. They stand before a closed blue door in a room with yellow walls and a green floor, watched by a security camera and a single red chair.
Above

Ángel Labarthe del Solar: And I’m an addict (Copyright © Ángel Labarthe del Solar, Feb 2021)

An illustration of a shirtless person wearing yellow shorts, leaning back against a bright pink background. Large green leaves frame the figure, who has visible surgical scars across their chest.
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Ángel Labarthe del Solar: We gave it all we could (Copyright © Ángel Labarthe del Solar, July 2019)

A black and white illustration of a tufted armchair set within a thick, hand-drawn border. A single solid black circle floats in the white space above the chair.
Above
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Ángel Labarthe del Solar: I laughed into the sky and called it home (Copyright © Ángel Labarthe del Solar, July 2019)

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Ángel Labarthe del Solar: Solitude, Somewhere (Copyright © Ángel Labarthe del Solar, October 2019)

A collage of a minimalist landscape. A large orange circle sits in a white sky above jagged black shapes that suggest mountains.
Above

Ángel Labarthe del Solar: Solitude, Somewhere (Copyright © Ángel Labarthe del Solar, October 2019)

Hero Header

Ángel Labarthe del Solar: Body Study (Copyright © Ángel Labarthe del Solar, Nov 2020)

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About the Author

Joey Levenson

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Joey is a freelance design, arts and culture writer based in London. They were part of the It’s Nice That team as editorial assistant in 2021, after graduating from King’s College, London. Previously, Joey worked as a writer for numerous fashion and art publications, such as HERO Magazine, Dazed, and Candy Transversal.

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