Before becoming a partner in the design monolith Pentagram, Angus Hyland ran his own studio in Soho for 10 years after running out of design degrees to do.
The London College of Printing/Royal College of Art graduate cut his teeth on book covers for Penguin, record covers and designed for an estimable amount of clients, including the BBC and Tate. He has recently published a compendium of brands visual signatures in Symbol, redesigned the Cass Art own-brand range and is guest posting all this week!
- Manshen Lo creates surreal, comic-inspired observational illustrations
- “To me, being a man just means being yourself”: five creatives share their thoughts on masculinity
- Hexatope: the web-app utilising computational arts to make personalised jewellery
- Lucy Hardcastle on her “most progressive film to date”
- Moby Digg creates grid-based identity for finance company Baugeld Spezialisten
- Typography and National Socialism – the journey of Futura in an era of "reactionary modernity"
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum