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A person in a yellow T-shirt stands before a black wall decorated with colourful circular graphics. Their shirt reads “Jamaica in the air” above an Air Jamaica logo.

Reggae, roots and the undeniable style of Jamaica’s 80s dancehall culture

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Date
12 January 2016

After being introduced to reggae in the late 70s, Canadian photographer Beth Lesser went down the rabbit hole, so to speak, and came out in the dizzying, smoke-hazed streets of Kingston in 1981. It was the golden age of dancehall, and Rastafarianism was giving way to Jamaica’s burgeoning, rum-fuelled music culture with its DJs and MCs.

“The music was everywhere,” says Beth. “It was played off well-worn mix tapes and cassette recordings of live dance sessions. It was in the buses, the taxis, blaring out of restaurants and shops.”

Beth spent the next ten years travelling back and forth and documenting the genre, which was then still relatively obscure, taking thousands of photographs of those she came across at live dances and recording studios. During this time she also started a magazine, Reggae Quarterly, which she worked on throughout the 80s.

From striped waistcoats and hats tipped just so, the music scene’s boisterous style runs throughout an exhibition of Beth’s photographs currently on show at KK Outlet in London. Beth’s exhaustive work has previously been celebrated with a book, Dance Hall: The Rise of Dance Hall Culture published in 2008, but this is a great opportunity to see a collection of her best images up close.

“I just want all those artists who were so influential at the time, not to be forgotten,” she says. “The 80s are still relevant.”

From Roots to Dancehall is on show at KK Outlet until 30 January.
Three people lean against a dark wall with a red and white stripe. The person in the centre wears a blue T-shirt that reads “Someone went to Jamaica and all I got was this lousy T-shirt!”.
Above

Beth Lesser: From Roots to Dancehall

A person stands on a street wearing a bold red, green and white outfit. They wear a green waistcoat over a white shirt, red and yellow trousers and purple high-top sneakers.
Above

Beth Lesser: From Roots to Dancehall

A person wearing a grey flat cap and a red tie stands with arms folded. Behind them is a large sound system with several speakers and the word “Volcano” written across the top.
Above

Beth Lesser: From Roots to Dancehall

A person leans against a weathered green wall, wearing a red beret and matching red bandana. They wear large-framed glasses and a black mesh T-shirt over a patterned waist cloth.
Above

Beth Lesser: From Roots to Dancehall

A person stands with arms raised in a dynamic pose against a wall featuring large graphic circles. To their left is a black circle with a Mercedes logo and the word “Kingdom”, and to their right is a blue and white striped circle containing the words “Youth Motion”.
Above

Beth Lesser: From Roots to Dancehall

A person with long dreadlocks leans against a large black speaker stack. They wear a striped waistcoat and matching flared trousers with a gold chain. The speaker is decorated with bold yellow and red text that reads “King” and “Hammys”. Smaller text at the bottom reads “Super Power 1”.
Above

Beth Lesser: From Roots to Dancehall

A person wearing a striped jumper and a purple beanie leans over a large, industrial record-cutting machine. They smile and gesture with one hand while working in a studio with colourful fabric panels in the background.
Above

Beth Lesser: From Roots to Dancehall

Three people lounge around a black and yellow car parked outside a shop. A sign above the storefront reads “L.M. RECORDING DISTRIBUTION CO. LTD.” and “DISTRIBUTOR OF RECORD LABELS”.
Above

Beth Lesser: From Roots to Dancehall

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