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Two book covers in black and white. The first features the word “DEMOLITION” broken across the page in a bold, sans-serif typeface. The second is titled “Machine Religion” and shows a distorted, tunnel-like 3D render above a custom alphabet.

Humans’ impact on Earth inspired Bleed’s custom typefaces for Anthopros

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Date
16 February 2018

For his residency at Galeria Marso in Mexico City, artist Javier Barrios explored the era of the Anthropocene – a proposed name for our current time period in Earth’s geology, which began when humans started to significantly affect our ecosystems. Though still unofficial, the term is much debated, and formed the basis of the artist’s studies as he looked at the history of human activity versus nature.

The residency culminated in a book, Anthropos, designed by Oslo and Vienna-based studio Bleed, and is similarly inspired by the themes of humankind’s affliction on the Earth. Showing images of human development, from primates to high-tech societies, it sets out the narrative of the Anthropocene as a visual story and creates a framework for Javier’s diverse research material.

Bleed created two custom typefaces for the book, one display type named after the book, and another called Stone. Together they aim to convey the jolting changes to the planet made by the Anthropocene. “The display type was designed to strengthen the visual cues of disruption and transition – adding aggression to the pairing with Stone, a Neo-grotesque sans-serif,” says designer William Stormdal. “Anthropos is Greek for human, and I found it interesting playing with shapes, rules and compositions that do not mimic the laws of nature.”

The layout of the book is based on an old TV testcard, another reference to technology and its evolution, says William. This concept gave the designer a format that allowed the varied content to be arranged in a haphazard way. At the centre of the book there is a 40-page “gif”, that converts a digital image to print, and shows a live-stock farm being blown up as a test for the impact of atomic bombs.

Again considering the huge variety of imagery, the book is printed in black-and-white Riso so the collected material, text and otherwise chaotic layout becomes, as William describes it, “aligned in hierarchy, making it easier to connect the narrative with the content”.

A typographic study featuring the word “CREATOR” repeated in four rows of black text on a white background. The letters shift from a clean sans-serif font to increasingly distorted and abstract forms.
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Bleed: Anthropos

An open book featuring an abstract composition of grey, black and white rectangular blocks. The shapes vary in tone and texture, creating a geometric, architectural feel across the two pages.
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Bleed: Anthropos

An open book with black pages and white text. The left page repeats the word “ANTHROPOS” four times, with different letters replaced by circles. The right page features Japanese characters.
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Bleed: Anthropos

An open book displays a black-and-white spread featuring a collection of various traditional masks. The masks vary in size and style, floating against a dark, textured background.
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Bleed: Anthropos

A page of dense, small text arranged in several long paragraphs. The text is printed in black ink on an off-white background, with the page number “903” and “904” visible at the bottom.
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Bleed: Anthropos

An open book with two white pages. The left page features a large, vertical Japanese word in grey, while the right page is filled with a dense block of small, justified English text.
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Bleed: Anthropos

An open book shows a black and white photograph on the right-hand page. The image features a large, geodesic dome structure enclosing a complex industrial building.
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Bleed: Anthropos

An open book shows a black and white photograph of a thatched, dome-shaped hut in a grassy landscape. The hut has a small, dark opening for a doorway.
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Bleed: Anthropos

A graphic showing four examples of typography in black on a white background. The top left reads “ANTHR OPOS” with a stylised “A” and “O”, while the top right shows “ABCD” in a standard font above a blocky, geometric version. Below these, two words are written in Japanese characters.
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Bleed: Anthropos

A black and white collage across two open book pages shows various celestial bodies. Grainy images of planets, moons and rings are scattered across a dark, starry background.
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Bleed: Anthropos

An open book shows a black and white abstract composition across two pages. The design features a mix of geometric shapes, dotted grids, and fragmented map silhouettes.
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Bleed: Anthropos

An open book shows a 3D wireframe render of a human face on the right page. The grid of white lines curves to define the eyes, nose and mouth against a dark background.
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Bleed: Anthropos

A black and white photograph of a spotted frog, spread across two pages of an open book. The frog is shown in profile against a dark, textured background.
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Bleed: Anthropos

A black and white image split into two panels. On the left, a person wears a large, textured mask with wide eyes and a broad nose. On the right, a black background features bold white text that reads “MEXICO, TRINITY EXTINCT TOKYO”.
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Bleed: Anthropos

A sculpture of a dark, textured hand rests on top of a stack of books. The books have black covers and white pages, creating a striped effect against a plain white background.
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Bleed: Anthropos

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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