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A bright yellow book cover featuring a black graphic in the top right corner. The design combines a bold black brushstroke with the numbers “20” and “7” in a thin, black sans-serif font.
A bright yellow book cover featuring a black graphic in the top right corner. The design combines a bold black brushstroke with the numbers “20” and “7” in a thin, black sans-serif font.

In celebration of his new book 2017, Bráulio Amado picks out the work he loves from last year

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Date
23 April 2018

“I first met Bráulio as an international exchange student in my class at the School of Visual Arts, in New York City, which I taught with John Fulbrook,” reads Pentagram’s Luke Hayman’s introduction at the start of Bráulio’s Amado’s latest book, 2017. “Bráulio was possibly one of the most enthusiastic students we taught during my seven years at the school. Certain students come with a commitment and eagerness that makes teaching worthwhile and benefits the whole class. He did well.”

There are lots of graphic designers, but there aren’t very many like Bráulio Amado are there? Always busy, joyful, warm and energetic, his output is extensive, extensive enough to put out a book annually of his graphic design and illustration hybrids. Following on Stolen Books’ 2016 edition which pulled together his portfolio for the year, the publishers are back with a substantial tome (270 pages of posters, record covers, sketches, illustrations and more!) cataloguing the designer’s output last year.

To celebrate another year of great work, below Bráulio has handpicked the projects that have stuck in his mind amongst the ton of pieces in his latest book. The breadth below, and in 2017 as a whole shows, as Luke points out, “Bráulio plays every instrument in the orchestra and he plays them like an experimental jazz musician — with skill and creativity.”

A black and white typographic poster for an event on “Friday September 8th 2017” at “98 Meserole Av. Brooklyn”. The line-up lists “Huxley” and “Manik” in the “Good Room”, “Risky Disko” in the “Bad Room”, and “Despacito” in the “Rest Room”.
Above

Bráulio Amado

Good Room — Bad Room — Rest Room

I do a lot of posters for Good Room, but this one is probably my favourite from last year. It features iconic NYC’s cockroach, 2017 hit song Despacito, “Will Trump kill us in 2017?" notes and designer’s favourite Helvetica (or Arial?), in a very minimal and effective design.

An illustration of a distorted, pink figure with yellow hair and blue trousers. The figure is curled up, with a large eye and a tongue poking out. A banner at the bottom reads “Owl Thursday December 7th Julius Free 9pm”, followed by a list of activities including “Gay Cocktails”, “Disco” and “Drag”.
Above

Bráulio Amado

Owl

Me, my boyfriend and two more friends do this monthly party, Owl, in NYC at a bar called Julius. We started it six years ago as a ‘serious party’, but then we sort of got bored of the fact that we were trying to be serious. So, eventually, we started doing it at this small gay bar in the west village, where drinks are cheap and there’s a guy who’s cooking burgers during the whole night. The place smells like beef fat and oil, so do the people that end up there. Me, Nick Schiarizzi and David Orton DJ disco music, my friend Kevin Saunders is a therapist in real-life so he does “speed therapy” at it, while I get drunk and do “drunk caricatures” of people, as in, really bad caricatures. We also make videos every month and play them on a tv screen behind the DJ booth. Sometimes we have someone doing drag too. It’s fun!

An illustration of a distressed person resting their head on their hand. They have wide, staring eyes and a downturned mouth, set against an orange halftone background. Text at the bottom reads “Washed Out” and “August 15, The Wiltern, Los Angeles, CA”.
Above
Left

Bráulio Amado

An illustration of a distressed figure with wide eyes and a frowning mouth, resting their head on one hand. The image uses a limited palette of orange and cream with halftone dot patterns. Text at the bottom reads “Washed Out” and “August 16, Fox Theater, Oakland, CA”.
An illustration in orange and cream of a distorted face resting on a hand. The figure has wide, swirling eyes and a slight smile, set against a background of halftone dots. A banner at the bottom reads “Washed Out” and “August 25, Metro, Chicago, IL”.
Above
Left

Bráulio Amado

An orange and cream illustration of a stylised face with large, circular eyes. A hand rests against the cheek, while the figure wears a striped shirt. Text at the bottom reads “Washed Out” and “August 29, Brooklyn Steel, Brooklyn, NY”.

Washed Out

One of my highlights from the past year was getting to design some stuff for Ernest aka Washed Out. I love his music a lot and I absolutely love the new record. The album is also a short movie with animations and cool visuals, so I decided to make the posters as something that would turn into an animation if you pieced them together. 

A pop-art style illustration of two bees against a blue dotted background. One bee floats happily above another that has collapsed on the ground. Text at the top reads “8.11. HONEY SOUNDSYSTEM”, with speech bubbles stating “ALL... NIGHT... LONG!” and “GOOD ROOM”. The bottom of the poster lists the address “98 MESEROLE AV. BK” and a “BAD ROOM” line-up featuring “Love Tempo”, “Jotin Strauss” and “Billy Caldwell”.
Above

Bráulio Amado

Honey Soundsystem

This poster makes no sense at all and I am very proud of it. Honey Soundsystem is collective of day DJs from San Francisco so I wanted to make something gay with bees and honey. It was one of those miracle posters where there was only one version that got approved right away and no changes were needed.

A black and white collage featuring a distorted image of Donald Trump with an open mouth and raised hand. Below, a text box reads “In case we survive the first days with “our” new president:”. The image lists a date of “01/22/17” and a line-up including “Lary 7”, “Huynh Vine”, “Rob Mason” and “Affordable Care”. A handwritten note reads “Max Fish” and names “Joe Frivaldi” as the DJ.
Above

Bráulio Amado

Abasement / Max Fish

It’s crazy to think that Trump has been president for only a bit more than one year now. Although I don’t think this is one of my best posters, this was an event where me, Tran Huynh and Franco Castillo (all graphic designers) played live for the first time as Affordable Care. We dressed as surgeons and played some weird noises over an heart beat machine’s beep beep beep beep sound. It felt good to be doing something creative in real-life for people during a time where everyone in NYC was trying to get over the fact that the USA elected a dumb crazy person to run the country. 

2017 is available via Stolen Books in Europe here and via DFA Records for US customers here.

An open book shows two colourful pages of graphic design. The left page features yellow oval shapes on a black background, while the right page lists a line-up of artists for “Good Room” and “Bad Room” above a purple abstract form.
Above

Bráulio Amado

An open book shows two contrasting pages. The left page features a 3D render of fluid, colourful shapes in pink, blue and yellow, with the text “P.258” below. The right page shows a bold, purple and yellow illustration with the text “QUE MIX FIXE!” and “P.259”.
Above

Bráulio Amado

A graphic poster divided into bold blocks of blue and yellow. Black abstract shapes and a scribbled circle sit at the top, with the words “stolen books” and a small icon in the bottom left.
Above

Bráulio Amado

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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