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An animation of white line drawings on a black background. A vintage television morphs into an open book with a figure behind it, then into a profile of a person.

Big-hearted illustrator Call Me George(s) finds inspiration and humour in the everyday

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Date
6 March 2017

“I love to take any possible subject and try to find the funny twist in it. I’m proud to be a TV kid, not the fat one looking at fitness shows while eating sausage but more the one drawing all the weird things he sees,” says French illustrator Call me George. From an early age he has wanted to be an illustrator or cartoonist and studied graphic design in France and Shanghai before working as an art director. Nine months ago George(s) took the leap back to illustration. “I realised that in every project I was working on as an art director, I was trying to implement some illustration in it,” he explains.

George(s)’ work combines the banality of the everyday with some surreal twists, working primarily in monochrome with simple, deliberate linework – the illustrator is colourblind and is working on a short book about the affliction. “Basically, as every subject is different from the other, the way I approach work varies a lot,” says George(s). “One constant is to start by sketching. Working by hand is for me the most direct and free expression of my mind. The computer is more for details and ‘special effects’. I don’t sketch too much either because I get bored quickly and having too many options stresses me a out. I subscribe to the belief ‘the first idea is a good one’."

Currently George(s) is working on commissions for a swathe of international magazines, is developing some wooden toys with friend and collaborator Le Fruit de L’Arbre and developing the next animated episode of True Stories for Wakeboarding Magazine USA. Alongside this, he is distributing a colouring book to migrant children and holding workshops with them – a project “close to my heart.”

A blue line illustration on a grid background shows a person operating a complex, futuristic machine. The structure features a ladder, pipes, and various mechanical components.
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Call Me George(s): Blueprint Factory

An illustration of a surreal collection of objects. A pink statue of the Madonna and Child takes a selfie with a phone, while a Nike sneaker rests beside a banana and a bottle of beer.
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Call Me George(s): Shoes Up Magazine

A black and white illustration of a person wearing an oversized, patterned coat. The figure stands with their arms slightly raised, their face partially obscured by the high collar.
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Call Me George(s): Perv

An illustration of a person kneeling and holding a table tennis ball and paddle. They wear a dark sports kit with neon green Korean text on the chest.
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Call Me George(s): Ping

An animation of a line-drawn figure with a dog’s head walking across a plain background. The figure wears a cap, a loose shirt and trousers, and the background shifts from white to black and back again.
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Call Me George(s): Darkwave

A black and white illustration of two figures walking side by side against a black background. One person wears a bowler hat and a long coat, while the other leans against them, smoking a cigarette.
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Call Me George(s)

A black and white illustration of two horse-headed figures sitting opposite each other at a long dining table. The table is crowded with a variety of food, including a whole roast bird, a cake, and various small dishes.
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Call Me George(s): Fricote Magazine

A black and white illustration of two rugs. The first shows two figures entwined in an embrace, and the second shows a person lying face down with a dog sitting on their back.
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Call Me George(s): Boredom

A black and white illustration of three rectangular rugs. Each features a person or animal alongside abstract circles and wavy patterns.
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Call Me George(s): Boredom

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About the Author

Owen Pritchard

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Owen joined It’s Nice That as Editor in November of 2015 leading and overseeing all editorial content across online, print and the events programme, before leaving in early 2018.

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