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A wide landscape of a still body of water that gradients from pale yellow in the foreground to a soft mint green. A thin white shoreline separates the water from a range of low, hazy mountains under a clear blue sky.

Catherine Hyland records the complex environment of a Chilean lithium mine

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Date
28 September 2018

For the series Lithium Mining, published by Bloomberg Markets, Catherine Hyland visited the Soc. Quimica & Minera de Chile SA, or SQM mine, in Chile’s Atacama desert. Famous for being the world’s driest place, it’s remote, isolated and also the world’s largest source of lithium; the mineral fuelling smartphone, laptop and electric car batteries all over the world.

Catherine’s photographs tell the story of turning the mineral salt suspended in underground reservoirs of brine, into the “oil-slick” metal you’ll recognise in your phone battery, via a system of pumps and evaporation ponds. The series also conveys the strange, crust-like surface of the earth, and the ombré ponds that make the desert look like the surface of the moon or, at least, the set of Logan’s Run.

Catherine’s interest in the area sprung from the idea of Atacama as a tamed landscape. What motivates or legitimises economic expansionism and control in rural settings; as well as how even when seeking or seeming to achieve a level of control, people and their interventions in such settings, will be dwarfed by the landscape: “In Universal Experience, there was a taming of vast Asian landscapes, but this was subverted by clues that pointed to the dominance of the landscape. The human interventions of fence posts, viewing points and guardrails were dwarfed by the vastness of the Chinese landscapes. The same thing happens in [the] pictures from the Atacama. The mine workers tending the pools are minuscule, like visitors from space, out of their depth against the broad horizons.”

But the impact of lithium mining, on the people living in the Atacama, and on the environment, is vast. The already limited water supply is being depleted without much thought of the long-term consequences, there are huge wage disparities, and differences of opinion in regard to the relatively new lithium trade and the traditional way of life for the Atacama people. On the complexity of the environment, Catherine says: “[The] land [has been] taken over by this sudden boom in a lithium trade that fuels our digitally dominated lives, but there’s an undercurrent that this boom is transient, that there are longer running narratives, both human and geological, at play. There is enough lithium in the Atacama to make batteries for 400 million electric cars, but taking the long view, that’s not very many. We will consume, the cars will come and go, the lithium will run out, the mines will close, the land will remain.”

A person in protective gear leans over a narrow stream of bright yellow liquid. They are surrounded by a vast, rugged landscape of pale, chalky earth.
Above

Catherine Hyland: Lithium Mining

A vast, arid desert landscape under a clear blue sky. A single, peaked mountain rises from the flat, rocky terrain in the distance.
Above

Catherine Hyland: Lithium Mining

An orange car and a truck sit on a vast, white salt flat under a clear blue sky. In the distance, industrial salt ponds and low mountains stretch across the horizon.
Above

Catherine Hyland: Lithium Mining

A deep, rocky ravine cuts through a dry, sandy landscape. Sparse green trees grow along the cliff edges and within the gorge under a clear sky.
Above

Catherine Hyland: Lithium Mining

Pale turquoise evaporation ponds are separated by narrow dirt tracks in a vast, arid landscape. Low mounds of white salt and distant mountains sit under a clear, pale blue sky.
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Catherine Hyland: Lithium Mining

A rusty car sits parked on a dusty road in a sparse settlement. Low buildings and corrugated metal fences line the street under a clear sky, with distant mountains on the horizon.
Above

Catherine Hyland: Lithium Mining

Large, shallow evaporation ponds fill a desert landscape under a clear blue sky. One pond is a bright lime green, while others are filled with white salt crusts.
Above

Catherine Hyland: Lithium Mining

A person wearing a white hard hat and yellow waterproof overalls stands in a shallow, pale blue salt lake. In the distance, a range of brown mountains sits under a clear blue sky.
Above

Catherine Hyland: Lithium Mining

A vast landscape of jagged, reddish-brown rock formations and sandy valleys. In the far distance, a pale mountain peak sits under a clear blue sky.
Above

Catherine Hyland: Lithium Mining

A vast mound of white salt crystals rises from a pool of pale yellow water. In the distance, a flat horizon meets a clear blue sky and low mountains.
Above

Catherine Hyland: Lithium Mining

A vast expanse of cracked, dry earth stretches towards a distant range of hazy mountains. Above, the sky fades from a pale yellow horizon to a clear light blue.
Above

Catherine Hyland: Lithium Mining

A vast, pale yellow salt flat stretches towards a distant range of low, purple mountains. A clear, light blue sky fills the upper half of the frame.
Above

Catherine Hyland: Lithium Mining

A person stands in a barren, rocky landscape wearing a white hard hat, sunglasses, and a face covering. They wear an orange high-visibility vest over a light grey jumpsuit and tall rubber boots.
Above

Catherine Hyland: Lithium Mining

A vast, flat landscape of dry scrubland under a clear sky. The horizon is a soft gradient of orange and blue, with a single distant mountain peak.
Above

Catherine Hyland: Lithium Mining

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About the Author

Billie Muraben

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Billie studied illustration at Camberwell College of Art before completing an MA in Visual Communication at the Royal College of Art. She joined It’s Nice That as a Freelance Editorial Assistant back in January 2015 and continues to work with us on a freelance basis.

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