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A triptych of three images. The first shows a person in a black bikini top holding a red lobster on white satin sheets. The second is a red cocktail in a martini glass set against a sparkling black background. The third shows hands with long red nails draped in silver jewellery over a quilted white surface.

In these photographers' Black Tropicana, the drinks are definitely not free

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Date
8 January 2015

The enduring impression I had that I’d made pretty acceptable use of my BA time has been shattered by Chloe Newman and Rebecca Scheinberg’s high production, hyper-real photographic analyses of consumer culture. Having graduated from BA Photography at LCC last summer, Chloe and Rebecca’s work holds both a consistent quality and an interest in fragmented narratives of order, chaos and commodity value.

This project, Black Tropicana, is a series of photographs inspired by pop culture, 70s glam disco and artificial worlds. The work critiques the shallow, enticing paradise of sickly sweet poolside Mai-Tais and dining on lobster straight off your golden satin sheets. Sounds like hell.

Two hands with long, red and blue pointed nails grip the white marble edge of a swimming pool. The deep blue water fills the background.
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Chloe Newman & Rebecca Scheinberg: Black Tropicana

A close-up of a shimmering gold surface. Tiny, bright sparkles create a dense, glittering texture across the frame.
Above

Chloe Newman & Rebecca Scheinberg: Black Tropicana

A bright green cocktail with a white frothy top sits in a glass on a shimmering black surface. It is garnished with a small umbrella and a straw, surrounded by sparkling white light flares.
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Chloe Newman & Rebecca Scheinberg: Black Tropicana

A person wearing a dark, shimmering bikini top lies in bed under white satin sheets. They hold a bright red cooked lobster across their lap.
Above

Chloe Newman & Rebecca Scheinberg: Black Tropicana

A close-up of crumpled, metallic silver fabric. Clear droplets of water are scattered across the reflective, textured surface.
Above

Chloe Newman & Rebecca Scheinberg: Black Tropicana

A martini glass filled with a red drink and a cherry sits in a bed of silver glitter. Bright, multi-coloured starbursts of light sparkle across the dark, shimmering background.
Above

Chloe Newman & Rebecca Scheinberg: Black Tropicana

A close-up of a textured fabric with a shimmering, iridescent pattern. Golden yellow and bright blue streaks create a blurred, organic effect across a dark background.
Above

Chloe Newman & Rebecca Scheinberg: Black Tropicana

Hands with long, bright red nails hold a cluster of sparkling crystal jewellery. A thick, milky white liquid drips over the fingers and the shimmering beads against a quilted silver backdrop.
Above

Chloe Newman & Rebecca Scheinberg: Black Tropicana

A hand with long, bright pink nails grips the slats of orange Venetian blinds. Warm light glows from behind the blinds, casting a dark silhouette across the bottom of the frame.
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Chloe Newman & Rebecca Scheinberg: Black Tropicana

A close-up of rippling water reflecting soft pink and pale yellow light. The surface creates fluid, abstract shapes and shimmering highlights.
Above

Chloe Newman & Rebecca Scheinberg: Black Tropicana

Two people embrace, with one person's face hidden against the other's shoulder. The person being hugged wears a dark, shimmering sequinned garment and has bright pink nails.
Above

Chloe Newman & Rebecca Scheinberg: Black Tropicana

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About the Author

Billie Muraben

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Billie studied illustration at Camberwell College of Art before completing an MA in Visual Communication at the Royal College of Art. She joined It’s Nice That as a Freelance Editorial Assistant back in January 2015 and continues to work with us on a freelance basis.

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