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An illustration of a night sky filled with whimsical constellations drawn in thin white lines on a dark blue background. The figures include a variety of characters and objects, such as “The Youth”, “The Hunter” and “The Chariot”. At the bottom, a silhouette of a city skyline sits below the title “The Constellations.”

Illustration: Valuable life lessons in Chris Ware’s seminal Quimby comic

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Date
1 April 2014

EDITOR’S NOTE: This post was part of our It’s Mice That takeover on April Fools’ Day 2014. You can read our explanation post here or peruse the mice archive here.

It’s widely accepted that Chris Ware is a master comic book artist. What he’s achieved in his career would have taken multiple lifetimes in the hands of anyone else. His storytelling, draughtsmanship, design skills and sense of humour have won him fans the world over, and the respect even of those nay-sayers who once dismissed the comics genre as being pre-adolescent pulp.

But before Chris became a legendary cartoonist, he was just a really good one, and it was during this period that he first created the character of Quimby the Mouse; a visual hybrid of Felix The Cat and Mickey Mouse, with a personality more like Daniel Clowes’ Wilson than what might be expected from a bug-eyed rodent. His first Quimby sketches began to appear in the early 1990s while he was studying at The University of Texas at Austin and displayed many aspects of Chris’s self-deprecating characteristics.

Later on however, Quimby became a bit of a shit, and as sketches began to appear in editions of the Acme Novelty Library it became clear that Quimby could be a very unpleasant mouse indeed, despite being immaculately drawn. His self-centred egotism lead him into all sorts of nasty scrapes and he struggles to find happiness in his life – but that’s quite a big ask for a mouse.

Still, it’s beautifully drawn, expertly written and full of black humour, and for Chris’ second ever graphic novel perfectly displays why he’ll forever have the adoration of millions of comics fans.

A comic strip titled “the QUIMBY MOUSE” follows a mouse who spends hours watching television. The story depicts the character ignoring the world and aging into a care home.
Above

Chris Ware: Quimby the Mouse

A black and white comic strip by Chris Ware. A figure resembling Mickey Mouse sits in a diner booth, holding a magazine and thinking, “I don’t get it!”. The scene is filled with detailed line work, including a counter and a street view through the window. Text at the bottom reads, “The magazine supplement to the Daily Texan that lost its faith in four-color photographs”.
Above

Chris Ware: Quimby the Mouse

An illustration of a small kitchen with blue and beige tiled floors and walls. A figure with a black head and white face peeks around a doorway, watching a table set with two mugs and a plate of candles.
Above

Chris Ware: Quimby the Mouse

A comic strip titled “Quimby the Mouse” follows a small black mouse walking through a series of panels. The mouse narrates a story about a “mean babysitter lady” who tried to make them “go” standing up.
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Chris Ware: Quimby the Mouse

A comic strip page titled “Sparky’s” featuring a series of panels with a mouse character. The panels follow the mouse through various domestic scenes, including some with the text “A FULL SUPPLY” and “A FOUL STENCH”.
Above

Chris Ware: Quimby the Mouse

A black and white comic strip titled “Quimby Mouse”. A character resembling Mickey Mouse walks through a town, buys a magazine, and reacts with anger to a photo of a former friend of their mother.
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Chris Ware: Quimby the Mouse

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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