It’s no secret that in spite of the increasing digitisation of contemporary culture, we still dearly love to hold actual objects in our hands – and the more elaborate the better. It’s a fact that record labels, magazines, publishers and most other spheres of the packaging industries have been exploiting for some time, fashioning beautifully ornate objects for which fans are only too happy to part with vast sums; whether it’s a die-cut, debossed, double gatefold or otherwise.
In honour of this increasingly craft-based approach to musical and literary objects Stuart Tolley has put together a book that details some of the finest examples of the genre in extraordinary detail, bringing together over 170 examples of the biggest and best uses of limited edition packaging the industry has seen. There’s also interviews with some of the artists, musicians and designers responsible for making these projects a reality – like Wayne Coyne, Stanley Donwood, Irma Boom and Alec Soth.
The only gripe we have with Collector’s Edition is that it doesn’t come out until August. But we’ve got our pre-orders in already.
- Harley Weir and Jamie Reid explore the functions of the female body for Baron
- Haw-lin Services and Tim Schmitt on their sci-fi identity for Berlin Biennale
- Winning proposals for regeneration of Old Street Roundabout announced
- Designer Paw Poulsen turns celebrities such as Bill Gates and Elton John into typefaces
- Friday Mixtape: a genre-spanning mix from creative agency Mogollon
- Non-Verbal Club's typography-heavy, sleek identity for Teatro Nacional de São Carlos
- Netflix unveils Netflix Sans, a new custom typeface developed with Dalton Maag
- Lacoste swaps famous crocodile logo for ten endangered species
- A chat with the Orwellian mastermind in charge of the UK town known as Scarfolk
- Will Anderson’s Bafta-nominated animation Have Heart follows a gif stuck in an infinite loop
- Original sets and puppets from Wes Anderson’s Isle of Dogs to be exhibited in London
- Dive into Mikey Joyce's portfolio with its “healthy balance of calculated and convoluted silliness"