It’s no secret that in spite of the increasing digitisation of contemporary culture, we still dearly love to hold actual objects in our hands – and the more elaborate the better. It’s a fact that record labels, magazines, publishers and most other spheres of the packaging industries have been exploiting for some time, fashioning beautifully ornate objects for which fans are only too happy to part with vast sums; whether it’s a die-cut, debossed, double gatefold or otherwise.
In honour of this increasingly craft-based approach to musical and literary objects Stuart Tolley has put together a book that details some of the finest examples of the genre in extraordinary detail, bringing together over 170 examples of the biggest and best uses of limited edition packaging the industry has seen. There’s also interviews with some of the artists, musicians and designers responsible for making these projects a reality – like Wayne Coyne, Stanley Donwood, Irma Boom and Alec Soth.
The only gripe we have with Collector’s Edition is that it doesn’t come out until August. But we’ve got our pre-orders in already.
- Caterina Bianchini on her three processes when designing posters
- Friday Mixtape: illustrator pals Jan Buchczik and Timo Lenzen on their studio tunes
- B.A.M's new identity for White Cube is an “evolution rather than a revolution”
- Mosh Pit Simulator, perhaps the craziest VR game yet, launches later this month
- Fantastic Man releases What Men Wear, an anthology of male dressing in the 21st Century
- Interior Lives documents the unassimilated lives of the largest Chinese population outside of Asia
- An egg beats Kylie Jenner to become the most liked Instagram photo... ever
- Mastercard reveals new nameless logo courtesy of Michael Bierut
- Sam Youkilis uses scale, form and colour to challenge the tropes of travel photography
- Betina Du Toit's naturally-beautiful images are “stripped back from the non-essential”
- Giacomo Gambineri on shifting his creative career from graphic designer to illustrator
- Hiroki Nishiyama draws on traditional graphic design techniques in his illustration practice