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An expressive painting of a tiger’s face, focusing on its intense, golden eyes. Bold, gestural brushstrokes in orange, white and dark blue create a sense of raw energy.

Dave White captures the power and glory of endangered species for his new London show

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Date
19 June 2012

It’s tough to take on the subject of endangered species without tipping into cliche, sentimentality and/or emotional blackmail but painter Dave White has brought a fresh, vibrant voice to this tricky topic with his new show in London.

Natural Selection brings together watercolours, oil paintings and prints of animals which could be wiped off the planet unless action is taken and Dave believes it’s very much a case of not knowing what we’ve got until it’s gone. He doesn’t try to pull on the heart strings, rather his work showcases the visceral power, beauty and irreplaceable wonder of tigers, elephants, leopards and the like.

“Natural Selection encompasses the beauty, majesty and magnificence of incredibly rare animals,” he writes in the impressive catalogue. "Their threatened existence and battle for survival hangs in the balance, where natural camouflage is no longer a reliable defence, leaving them vulnerable and exposed.

“The collection explores these dynamics, through the violent, expressive movement and abstracted patination of oil paint and watercolour. Large scale installations and contemporary execution will aim to challenge the viewer to reassess this subject matter in our modern world. Where once we would hunt these subjects for display trophies, now we must face the fact that our impact upon them is threatening their survival.”

It’s nice to see such an in-demand contemporary painter creating a body of work that is urgent but not necessarily on-trend and his work is a forceful reminder that our environmental ennui is a zero-sum game.

Natural Selection is at The Hospital Club from June 22 to July 7.

An abstract painting of a butterfly in bold red, yellow and purple. Thick, expressive brushstrokes create the wings, with paint dripping down the bottom edge against a white background.
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Dave White: Butterfly

A painting of a parrot in flight against a plain white background. Bold, expressive strokes of red, yellow and blue paint create the bird’s form, with long drips of colour running down the page.
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Dave White: Amazonian Parrot II

A painting of a line of elephants walking from left to right. The figures fade from a deep purple to a pale blue, with paint dripping down the white canvas.
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Dave White: Running Elephant

A painting of an orange hummingbird against a plain white background. The bird is rendered in expressive, splattered paint with long drips running down the canvas.
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Dave White: Humming Bird

A painting of an elephant in shades of blue and white against a plain white background. The paint is applied in loose, expressive strokes with long drips running down the canvas.
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Dave White: Elephant I

An illustration of a frog created with vibrant, splattered paint on a white background. The figure is a mix of red, yellow and blue, with long drips of paint running downwards.
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Dave White: Tree Frog I

A painting of an orangutan’s face, rendered with expressive, textured brushstrokes. The figure is composed of vibrant oranges, deep purples and streaks of bright blue.
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Dave White: Orangutan

A painting of a tiger’s face rendered in expressive, energetic brushstrokes. Bold orange and white tones are contrasted with deep blue and black streaks that drip down the canvas.
Above

Dave White: Tiger (detail)

A painting of a gorilla’s face rendered in expressive, gestural strokes of blue and black. The animal’s brown eyes look forward through a chaotic layer of drips and splatters.
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Dave White: Mountain Gorilla

An expressive painting of a dog’s head in profile, rendered with energetic, splattered brushstrokes. Deep purples and blacks contrast with bright orange and yellow highlights against a plain white background.
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Dave White: African hunting Dog I

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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