New York-based photographer David Brandon Geeting has branched out into the art world with his exhibited series Waste Management , which has collaged frosted flakes, tissue boxes, empty mouthwash bottles, broken fans and abandoned ornaments amongst vivid backgrounds and plastic bags. The series manages to balance chaotic compositions with abstract close-ups that are engaging rather than overwhelming. The cut-out details, tears and shifts in scale lend the Hefty Odor Block and Good Sense Handies a strange gravitas.
We’ve featured David’s still life photography and books a bunch of times before, and with his work going from strength to strength, we may soon be adding a D-B-G category. As well as his personal practice, David continues to work with Bloomberg Businessweek , The New York Times and The Fader amongst many others.
- "We’re likely to plummet into a new dark age": Illustrator Edward Carvalho-Monaghan on learning from the past
- Phile magazine on sexual subcultures, power struggles and the launch of their second issue (NSFW)
- Why Design Thinking is bullshit
- Friday Mixtape: a mammoth mix from school project turned great band, Lowly
- Even magazine challenges the “elitist, opaque and unapproachable” discussion around art
- Meet Love Man: an illustrated big-hearted alien-human looking for his other half
- Photo of a single atom wins science photography prize
- Google tackles image copyright infringement with latest design tweak
- University of Portsmouth receives backlash over costs of its rebrand
- Ikea partners with Hasselblad to offer more “inspiring” prints for its frames
- Animator John McLaughlin’s fuzzy world of big-eyed, triangular fuzzy dudes
- Creative director Patrick Li on T: The New York Times Style Magazine's conversational new redesign