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Two children sit side by side against a dark background, both smiling. They wear full-skirted dresses and have matching short hair with small clips.

David Lyle skillfully reproduces black and white photographs with a playful edge

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Date
25 May 2012

Black and white is still cool; as much as yellow is happy, blue is chilled out and purple? Well purple’s up for anything. This classic pairing still does it for me, even more so in photographs. But what about paintings that look like black and white photographs I hear you ask? I like them too, having been convinced by David Lyle’s excellent reproductions of old photographs with a twist of modern playfulness popped in there.

Achieved using oil paints, the detail and skill in these paintings is pretty spectacular but it’s the added elements David’s placed in the image that allow it to become more that just duplicates of photographs we’ve already seen. A snappy scorpion, sticks of dynamite or a box of rat poison next to the woman cooking, these tokens of danger add a little edge to the perfect smiles and wholesome attitudes of the subjects making me enjoy them all the more.

A painting of a person in a white shirt and apron pouring liquid from a jug into a mixing bowl. An electric hand mixer and a box labelled “Ratak” sit on the kitchen counter beside them.
Above

David Lyle: Untitled

A black and white painting of a person standing by an open window, reaching out with one hand. Outside, a pair of high-heeled shoes floats in the air against a backdrop of city buildings.
Above

David Lyle: If You Love Something, Set It Free

Three police officers in traditional helmets apprehend a person against a corrugated metal wall. The wall is covered in black graffiti tags.
Above

David Lyle: It’s Only Wrong if You Get Caught

Five people sit side by side on a train or bus. Most look ahead or read newspapers, while the person in the foreground holds a large stopwatch.
Above

David Lyle: If You See Something, Say Something

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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