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Designers in Residence 2014: We reveal this year's fab four chosen by the Design Museum

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Date
6 May 2014

We announced back in January that we are proud to be partnering with the Design Museum for its annual Designers in Residence programme. Now in its seventh year, the initiative showcases the work of four new and emerging designers and the theme set this year was disruption. Applicants have now been whittled down to the final four and it gives us great pleasure to exclusively introduce the Designers in Residence 2014, four eclectic creatives sure to each bring something very different to this year’s exhibition which opens on 10 September.

James is an architectural designer whose work spans interior design, urbanism, architecture, objects and interactions. He often uses humour as a means to exploring socio-political themes, as evidenced in his Royal College of Art masters project Free[tr]aid. This imagined a future where a cash-strapped UK had to privatise its international aid programme, leading to an Indian Aid Earning zone in north London. James also worked with aberrant architecture on its terrific tiny mobile theatre which was inspired by one of London’s most unusual entertainment impresarios.
www.jameschristian.co.uk

A 3D render of a suburban street where traditional houses are dwarfed by massive, futuristic architecture. A bright pink geometric tower and a white latticed cylinder loom over the small homes and vintage cars. A logo in the top right reads “FREE{TR}AID”.
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James Christian: Free[tr]aid

A large, bright red architectural structure with a series of pipes on top sits on a cobbled street. A person on a bicycle rides past the installation, which is flanked by a white vintage van and a row of white chairs.
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aberrant architecture/James Christian: Small Coal-Man’s Tiny Travelling Theatre (Photo Simon Kennedy)

A low-angle shot of a ceiling made from oriented strand board. Circular skylights are cut into the wood, allowing bright light to stream through.
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aberrant architecture/James Christian: Small Coal-Man’s Tiny Travelling Theatre (Photo Simon Kennedy)

Designer and filmmaker Ilona is another RCA gradate who uses image, rhetoric and cinematic tropes to construct schemes and texts that investigate hypothetical situations. We featured Ilona’s Under Black Carpets project last year, an ongoing exploration into the perfect bank heist on which she is collaborating with the FBI and the Los Angeles police. Her other work includes a examination of legal issues which could arise from increased future space travel and a filmic depiction of a future where experiencing nature becomes the preserve of the rich and powerful.
www.ilonagaynor.co.uk

A 3D render of a cluster of sleek, black skyscrapers on a reflective dark base. The buildings vary in height and are set against a plain white background.
Above

Ilona Gaynor: Under Black Carpets

Four black and white technical posters are pinned to a white wall. They feature schematic diagrams of a helicopter, a plane, a person in uniform and a military vehicle.
Above

Ilona Gaynor: Under Black Carpets

A large, grey stone sphere with a circular hole sits in the centre of a round boardroom table. Black leather chairs surround the table in a dimly lit, circular room under a bright ring of light.
Above

Ilona Gaynor: Paper Moon

A close-up of a folded white paper map featuring a network of intersecting grey lines. Legible labels include “Sea of Waves”, “Foaming Sea” and “Sea of Fertility”.
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Ilona Gaynor: Paper Moon

An exhibition display featuring two white tables in a dark room. The foreground table holds a cake shaped like Earth, a knife, small architectural models, and several printed documents and photographs.
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Ilona Gaynor: Paper Moon

Torsten is a designer whose holistic approach combines his experiences in architecture and product design to create objects which are both aesthetically beguiling and challenge some of our preconceived notions about materials and making. He’s got a range of international influences having studied in Bath, Florence and Copenhagen and exhibited at this year’s Salone in Milan earning rave reviews in the process.
www.torstensherwood.com

Two light-wood stools with slatted seats and angled legs. They are set against a plain white background.
Above

Torsten Sherwood: Pew Stool

A light-coloured wooden sculpture consisting of a tall rectangular block. The top edge is carved into a series of thin, parallel slats that lean slightly forward.
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Torsten Sherwood: Throne Stool

A light-coloured wooden stool with a slatted seat and wide, angular legs. It is set against a plain white background.
Above

Torsten Sherwood: Pew Stool

Five oval wooden trays of decreasing sizes are nested inside one another. They are set against a plain white background.
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Torsten Sherwood: Shaker Boxes

Patrick’s multi-award-winning Studio PSK specialises in “object driven speculative design,” using design as a “medium to ask questions rather than provide answers.” Drawing on its multidisciplinary skills and working with a network of specialist collaborators, Studio PSK explores the shifting worlds of science, technology and society. Previous work has included an exploration of whether the parasite’s work in nature can be applied to a technological context and hand crafting a particle accelerator.
www.studiopsk.com

A collection of hardware and household objects is laid out on a wooden surface. Bold white text across the centre reads “HANDCRAFTED PARTICLE ACCELERATOR”.
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Studio PSK: Handcrafted Particle Accelerator

A black logo on a light grey background featuring a bold, rounded capital “N”. A small dot sits to the top right of the letter, with a thick horizontal bar underneath.
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Studio PSK: Novalia Brand Identity

Two business cards for Novalia Ltd. One shows a bold black logo of a stylised “N” with a dot and an underline. The other lists contact details for “Dr Kate Stone”, the managing director, with a black ink smudge on the left.
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Studio PSK: Novalia Brand Identity

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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