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A cluster of glowing, white geometric lanterns hangs against a black background. The faceted shapes vary in size and are lit from within, creating a soft, luminous effect.

Stunning new Design Museum show explores the future of digital memories

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Date
4 September 2012

Wander along London’s South Bank between now and mid-January and sooner or later you’ll stumble upon a giant perspex box containing a beautiful array of Swarovski crystals. But before you think an oligarch has left something behind, you’ll realise it’s part of the Design Museum’s new exhibition Digital Crystal (in association with Swarovski).

But what’s it all about?! Through the wonderfully extravagant medium of crystal (did the name give it away?) the exhibition explores the future of memories in an ever-developing digital age, questioning, through all manner of differing artist interpretations, how memory can be perceived in the digital world.

Featuring the work of 15 contemporary artists, you’ll find yourself immersed in an array of technology but the real treat has to be Pandora – the brainchild of avant-garde designers Patrik Fredrikson and Ian Stallard. Formed of a understated (yeah right!) 2,000 suspended moving crystals, the piece continually deconstructs and recreates the traditional chandelier and, as the centre piece of the exhibition, it certainly hits the spot when it comes to the wow factor.

Digital Crystal runs until January 13 at The Design Museum.

A shimmering sculpture made of thousands of hanging crystals forms a twisting, vertical spiral. The light catches the facets of the crystals against a solid black background.
Above

Ron Arad: Lolita

A large, shimmering chandelier made of countless clear crystals hangs from a dark ceiling. The crystals are arranged in a tiered, sculptural shape that glows against a backdrop of a brick wall and a large window.
Above

Fredrikson Stallard: Pandora

A sculpture made of tightly wound red, yellow and black threads. The colourful strings are stretched across a structural frame to create a jagged, geometric form.
Above

Anton Alvarez: Wrapping Crystal

A person in a black blazer and leather trousers sits on a colourful, sculptural bench. Behind them, a long, multi-coloured beam extends diagonally across a white gallery wall.
Above

Anton Alvarez: Wrapping Crystal (Photo by Luke Hayes)

A 3D render of a large, dark rectangular screen made of a dense grid of small pins. To the right, a glowing white projection of a face appears as a pattern of light dots.
Above

Troika: Hard Coded Memory

A person stands on a white balcony, leaning against a railing. They are surrounded by several hanging light installations that cast blue light and a large shadow on the wall behind them.
Above

rAndom International: Study of Sunlight (Photo by David Levene)

An art installation in a dark room featuring several green laser beams. The beams form glowing diamond shapes within thin metal frames, casting sharp lines of light across the space.
Above

Paul Cocksedge Studio: Crystallize (Photo by David Levene)

A glass display case stands in a public square with Tower Bridge visible in the background. Inside, silver reflective sculptures are scattered across the floor beneath the word “DIGITAL” written in a thin white font.
Above

Beta Tank: Beta (Photo by Luke Hayes)

A person stands against a dark background, their face and blue shirt illuminated by projected blue light. The projection consists of complex, swirling geometric lines and webs that wrap around the figure.
Above

Arik Levy: Osmosis Interactive Arena (Photo by David Levene)

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