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A textile collage on a dark green fabric background. A central red square features a stylised face with a white curved line for a mouth and two black circles for eyes.
A textile collage on a dark green fabric background. A central red square features a stylised face with a white curved line for a mouth and two black circles for eyes.

Swedish artist Ekta reconsiders simple geometric shapes

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Date
28 March 2017

Ekta, real name Daniel Gotesson, is a 38-year-old artist who currently lives and works in Gothenburg, Sweden. Daniel’s creative background is rooted in skateboarding and graffiti, scenes which still inspire his work. “I got very important sources of inspiration in those years and it still has an affect on what I do,” Daniel says. “I’m not from a very cultural family or environment but I think in a way that was an advantage, I had to find my own.”

Daniel’s boldly geometric work vibrates with the artist’s hand. “The majority of my work is personal and with no brief, that’s the absolute best circumstances for me to work under,” he says. “That’s entirely my own thing and I don’t have to worry too much about what other people think about it and I can take that in any direction I want.” Still, Ekta has illustrated for the New York Times, turned his hand to fashion, collaborating with Marni on a capsule collection, and recently worked on a set of sketchbooks layered with collage, paint, drawings and tape to be published by Swedish design studio Lundgren+Lindqvist, who discovered the books when visiting Ekta’s studio.

A no-holds-barred sense of freedom shouts out from Daniel’s confident work across different mediums, on canvas or across entire walls, with fabric flags or torn coloured paper. “I try to work in a wide range of mediums and I don’t want to limit myself to just painting,” he says. “My process is about limitations, order, balance and self-sabotage. I see my work as placing things – shapes, colours etc. – in an order that feels right but once that is achieved I often get bored and feel a strong urge to destroy it. If I go out to paint a wall, I often restrict myself to few colours and mediums. With limitations I don’t have to stop to make decisions during process and that helps me keep a better rhythm and flow.”

A series of large, colourful fabric banners hang from the ceiling of a white gallery space. The textiles feature abstract shapes, bold primary colours and hand-drawn markings.
Above

Ekta

A large vertical painting stands against a white gallery wall, with a matching canvas extending across the floor. The work is divided into bold blocks of colour featuring abstract, gestural shapes and symbols in blue, yellow, white and green.
Above

Ekta

Large textile collages made of colourful fabric patches hang from the ceiling of a white gallery space. The abstract compositions feature bold blocks of red, blue, green and white.
Above

Ekta

A collage featuring a large, abstract grey shape set against a solid black background. A small, jagged blue form sits at the bottom right of the grey figure.
Above

Ekta

A close-up of overlapping fabric panels in red, black, beige, and pink. A black graphic shape is printed on the beige fabric to the right.
Above

Ekta

A textile collage made of rectangular fabric scraps in various colours and textures. A large red piece dominates the top, while smaller patches of blue, pink, white and black are arranged below.
Above

Ekta

An abstract painting in a light wood frame. A dark, textured black background is punctuated by a small red circle and a cluster of blue, red and white geometric shapes at the bottom.
Above

Ekta

A collage of overlapping paper shapes in bold primary colours. A large black rectangle dominates the centre, partially covering a white square with a black grid.
Above

Ekta

A framed drawing featuring six abstract figures rendered in bold, black ink lines on white paper. The figures are arranged in two rows of three, each composed of looping, organic shapes.
Above

Ekta

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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