Emulsion is a new publication documenting cutting-edge arts and culture. Designed by the London-based design studio Our Place, the magazine is founded on pluralistic objectives with the hopes of pushing boundaries through its imaginative design and content. Its first issue is packed with artist interviews, photography, fashion, music, original artworks and opinion pieces from the likes of some of It’s Nice That’s favourite creatives including Jonathan Castro and Ida Ekblad.
Only released last week to worldwide distribution, Emulsion tailors the design of each article according to the aesthetic of the work at hand. For instance, James Lincoln’s comical black and white illustrations bring out the personality of characterful dogs with human faces and each illustration is set against a suitably designed, black and white checkerboard layout with text weaving across the page in monochrome inversions.
Another example is Jonathan Castro’s piece where his 3D graffiti-like illustrations are set against a similar colour palette of blurry tones that fittingly embed the illustrations into the page. The sans serif body copy is understated to offset the busy visuals, and on the whole, Our Place keeps to three typefaces, using contrasting weights of Unica paired with the decorative script Vivaldi, as well as a serif for some of the copy. The striking type provides a sense of uniformity amidst the conflicting visuals across the magazine and supplied the designers with an opportunity to use typefaces they’ve admired for years.
On the magazine’s design, Our Place studio adds: “We’d been creating the identity for a while before the actual publication. For the logotype and masthead, we developed custom lettering with a bold, boxy feel with exaggerated ink traps that we felt were impactful as well as appropriate for the aesthetic of the magazine. This was paired with a series of interchangeable E’s which will be different for each issue keeping it fresh and dynamic.”
The magazine was created by the artist Louis Morlet and designer Michael Opie O’Grady who both share a “fascination for globalised culture," Michael tells It’s Nice That. “Currently, there are some huge leaps being made in the arts and we wanted to capture that essence and present a broad cross-section of the creative landscape.” This is seen in the magazine’s opposing aesthetic which aims to embody “a holistic view of culture”, binding disparate stories and works into one cohesive publication that functions “as a platform for discussion.”
One of co-founder Michael’s favourite pieces includes the work of Kelman Duran, a Dominican-born multimedia artist, producer and resident DJ at Rail Up, an African-Caribbean inspired dance party in LA. In the lead up to his new album 13th Month, Michael and Louis interviewed the artist, touching on his interests in Afro-Caribbean-diasporic dance parties in New York while showcasing his sensitive photography and filmmaking abilities. One of many exciting finds, Emulsion’s first issue is packed with international creativity and promises to impart knowledge on a variety of contemporary issues through its pages of sleek design.
- Artist Panayiotis Terzis creates vibrant works inspired by his upbringing in Greece
- Vikram Kushwah shares the intimate and revealing backstory behind his award-winning series
- Can you translate a memory into a digital font family? Klim and Dia collaborate on Söhne
- Satirical and humorous, Megumi Ono-Chan illustrates a “lustful labourer”
- Jessie Makinson on the intuitive process behind her fantastical paintings
- The Adobe MAX Creativity Tour shed light on how to creatively empower ourselves
- Pentagram rebrands Warner Bros. with a “sleek and clean” update to its shield logo
- Manchester Girls, the new series from Dean Davies, is a visual homage to the women of the north
- Relive the lazy, hazy, crazy days of summer through Summer of Something Special
- Viktor Hübner photographs American anxieties amongst a shifting political environment
- Jiří Makovec’s photographs meander between the personal and the universal
- Berlin Wall graffiti is made into a typeface to warn how "division is freedom's biggest threat"