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A magazine cover in pink with red and blue scribbled illustrations. Bold text at the top reads “BLA NR 2, 2017 ÅRGANG 29”, with a list of articles and contributors below.
A magazine cover in pink with red and blue scribbled illustrations. Bold text at the top reads “BLA NR 2, 2017 ÅRGANG 29”, with a list of articles and contributors below.

Illustrator Espen Friberg's authentic and deceptively simple characters

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Date
5 February 2018

“I’ve been drawing as long as I can remember, it’s a passion that never went away,” Oslo-based illustrator Espen Friberg tells It’s Nice That. With a portfolio spanning drawing, graphic design but also music, his love of creativity in all its forms is evident in his instinctive, loose and simple style.

After studying at Oslo National Academy of the Arts, Espen co-founded design studio Yokoland alongside Aslak Gurholt Rønsen, where he remained until moving to the US in 2007. He currently runs his own practice out of his hometown working on self-initiated projects and commissioned work.

Espen’s playful characters are mischievous and spirited, appearing in colourful, hand-drawn worlds. “I always like to start a project with a pen and paper to plot out ideas – it’s natural and immediate,” he explains when asked about his process. In a recent collaboration with Fredrick Larsen, Espen created a comic book series about a fictional land in Nulteliv – Nummer 1. In contrast to their credulous appearance, the characters live in a world where children buy tobacco for their parents, where pornography is found strewn on the forest floor instead of the internet and where children “play with fireworks instead of making a cupcake-blog.”

Stating ad-hoc and DIY solutions to problems outside the creative world as an inspiration for his own practice, it makes sense that Espen also references the realm of outsider art. This term is used to describe work which is naïve in quality or that has been produced by those without conventional artistic training. As a result, Espen’s work retains an authentic nature but is deceptively simple in its execution.

Working mainly in the cultural field – including creating weekly illustrations for newspaper Morgenbladet – Espen often combines his love for music and drawing in the same place. He recently launched Take It Easy Policy, a record label and publishing house alongside co-founder Emil Høgset. With a focus on “releasing music, sound, text and image with a free spirit,” Take It Easy Policy’s work is charming and expressive – the true product of a creative outlet.

In a recent project, co-released by Good Press, Take It Easy Policy produced a sleep-inducing cassette in collaboration with Marianne Røthe Arnesen. “This piece of music and spoken word was born when Marianne had problems falling asleep,” Espen recalls. As a tongue-in-cheek response, they produced a series of slow and pitched down sounds combined with “the most mundane spoken word piece that describes how to walk from our home to the studio, step by step.”

Despite the apparent simplicity of his characters comprised of coloured blobs, Espen has the ability to convey narratives and emotions in the smallest gestures. Although often not even fully formed – devoid of limbs of facial features – his characters say a lot through a furrowed brow or wondering gaze.

An illustration of people in an art gallery, viewing abstract paintings on white walls. The central artwork features a collection of colourful shapes, including a rainbow, a blue circle and a red starburst.
Above

Espen Friberg

An illustration for the cover of a magazine titled “Nulteliv”, numbered “Nummer 1”. Against a bright red background, three figures are gathered around a grey wall featuring graffiti that reads “André ♡ Pikkelsen!”. One person sits atop the wall, while another reads a book and a third leans against a bin.
Above

Espen Friberg

A collage of pop art prints in bold primary colours. The images include a green silhouette, blue portraits, a yellow illustration of Mickey Mouse, a red close-up of a face, and a green landscape. A simple line drawing of a person sitting on a chair is positioned at the bottom.
Above

Espen Friberg

An illustration of a person with long yellow hair and a floral headband pointing to a pie chart. The chart is divided into four sections labelled “40%”, “40%”, “10%” and “10%”.
Above

Espen Friberg

An illustration of four white, rounded figures stacked vertically, each resting their arms on the head of the one below. They are outlined in blue with red eyes, enclosed within a jagged, bright pink border.
Above

Espen Friberg

A woven black rug with a fringed edge, featuring a dense pattern of white line drawings. The abstract shapes suggest a mix of figures, plants and geometric forms.
Above

Espen Friberg

An illustration of a figure in a black suit and beanie, surrounded by crime movie tropes. They are flanked by a blue car, a blue boat, a submachine gun, a red explosion and a person in a red dress.
Above

Espen Friberg

A large fabric tapestry featuring a collection of colourful, stylised figures and shapes on a cream background. The figures are rendered in a playful, flat style using primary colours, appearing in various poses across the canvas.
Above

Espen Friberg

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About the Author

Ruby Boddington

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Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

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