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An illustration in a comic strip layout with nine panels in blue, pink and white. A figure blends into a landscape of rolling hills and mountains under a starry night sky with a crescent moon. Text across the middle panels reads “CAN YOU SEE THE LIGHT IN THE DISTANCE?”.

Evan Cohen breaks the boundaries of comics grids as an additional narrative

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Date
29 March 2019

“I think I’ve become more comfortable trusting myself and my ideas” says the illustrator Evan Cohen on the progression of his work over the past year. “I spent a long time finding my own voice and now, I am trying to focus on just making as much work as possible.” If you follow Evan on instagram, you’ll know that he’s really been churning out the goods. Not only is this a benefit for his fans, but he also finds it helpful to have several ongoing projects going on at the same time. “It keeps me in the right mindset and I can get a lot accomplished” adds the illustrator.

Recently, Evan’s focused much of his attention on producing comics. But not your usual comics. He’s developed an ongoing theme that has quickly become a signature style that breaks the traditional boundaries of the rigid comics layout grid. “I enjoy breaking the boundaries” says Evan, “where the panels all of a sudden become part of the image and the characters can interact with the page.”

Like many other comics artists, Evan likes how the comics panels act as a natural constraint that can inform composition, but also act as a barrier to break. When he realised this, “it opened up a whole new way of viewing [his] work” and he started experimenting with dissolving and deconstructing the comics panels literally and metaphorically. “It’s a powerful narrative tool that can sum up a lot of different experiences and emotions at once.” And more importantly, it has become a concept for Evan to come back to “as a reminder to let go.”

An illustration of several people tending to a large, stylised tree with a pink trunk and green foliage. The scene is divided into a grid of panels, showing figures pruning branches with shears and climbing ladders.
Above

Evan Cohen

In the last few months, the illustrator has been working towards Cake, to be published in June. “It’s an exploration into what it means to remember” says Evan “and why memories are so important to me.” As a new challenge, he’s been experimenting with traditional mediums for this comic which he’s seen as a “fun experiment” all while continuing his role as the Hudson Valley Brewery’s illustrator. In terms of this work, though it doesn’t reach an arts audience in the usual way, Evan’s learnt a lot through this kind of commercial illustration.

“I’ve learnt that I want to explore new ways of bringing illustration and comics to people who normally wouldn’t seek it.” He believes that “there are a lot of great artists working today that could use this kind of outlet to showcase their work in a brand new light and to a new population of people.” As more thoughtful design and illustration becomes more integrated within branding, Evan predicts that this kind of illustration work will “become vital in a competitive market”, providing more work for illustrations in general.

An illustration in a comic strip layout showing a person in a yellow top and green skirt walking through a field. Over several panels, the figure dissolves into abstract streaks of yellow, green and red. These colours then form a 3D rectangular block, which is held in a hand that shrinks the object in the final frames.
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Evan Cohen

An illustration showing a sequence of hands manipulating a Rubik’s cube. The cube’s colours unravel into flowing, wavy ribbons of pink, yellow, and teal. These ribbons eventually reform into a marbled pattern on the surface of a new cube.
Above

Evan Cohen

A comic strip illustration showing a pair of hands coming together in prayer. The hands transform into a pink tree with green foliage against a yellow sun. A person stands beside the fully grown tree in the final frame.
Above

Evan Cohen

An illustration of a sequence of 12 panels showing a pair of hands. A small red flame appears in the palm and grows as the hands carefully cup and protect it.
Above

Evan Cohen

A blue line illustration showing a sequence of hands opening a sphere to reveal a nested series of colourful rectangles. The shapes gradually morph from rigid geometric frames into organic, painterly patterns of pink, yellow and turquoise.
Above

Evan Cohen

An illustration of several people tending to a large, stylised tree with a pink trunk and green foliage. The scene is divided into a grid of panels, showing figures pruning branches with shears and climbing ladders.
Above

Evan Cohen

An illustration of a comic strip in 12 panels. A person praying transforms into a blue liquid that expands to form a tropical island under an orange sun.
Above

Evan Cohen

An illustration in pink, blue and yellow. A four-panel strip shows a pair of hands holding a geometric crystal that slowly dissolves into dust. Below, a figure stands in a psychedelic cavern of melting, colourful stalactites, holding a glowing object to their head.
Above

Evan Cohen

A nine-panel illustration in blue, yellow and white. A person progresses from standing to meditating, eventually transforming into a blooming lotus flower. Text across the top three panels reads “TAKE THE TIME TO FIND A BETTER WAY.”
Above

Evan Cohen

An illustration showing a sequence of panels. A person in a yellow top and green skirt transforms into a landscape of a yellow sun over green mountains. The final panels show a pair of hands folding a red piece of paper into a small square.
Above

Evan Cohen

A blue and white illustration arranged in a nine-panel grid. The first three panels show a person walking under a yellow sun, with text reading “I WAS LOST”, “BUT FOUND” and “MY WAY BACK.” In the following panels, the person stands still and gradually dissolves into a field of white and yellow stars. The final panel is a solid blue sky filled with stars.
Above

Evan Cohen

An illustration in pink, blue and white showing a sequence of panels. A person carries another person wrapped in a blanket into a body of water until they both disappear beneath the surface.
Above

Evan Cohen

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About the Author

Jynann Ong

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Jynann joined It’s Nice That as an editorial assistant in August 2018 after graduating from The Glasgow School of Art’s Communication Design degree. In March 2019 she became a staff writer and in June 2021, she was made associate editor. She went freelance in 2022.

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