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An illustration of three stylised figures with bold outlines and vibrant colours. A central figure with a dark beard and hair looks to the right, flanked by two figures with large eyes and bright hair.

New Eye Sea Posters show brings retro Polish poster design to life

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Date
3 October 2012

Late last year we flagged up the sterling work of Eye Sea Posters, James Dyer’s labour of love bringing together Polish film and theatre posters from the 1960s and 1970s. In a state-controlled cultural landscape, it was felt the foreign originals were too subversive and so replacements were commissioned from designers like Wiktor Gorka, Waldemar Swierzy, Franciszek Starowieyski, Andrzej Krajewski and Maria Ihnatowicz.

These commissions helped cement Polish poster design’s place in the genre,with big, bright, bold imagery and a certain dark streak of humour. Now James is putting some of the best examples on show here in London alongside an interesting programme of events relating to Polish culture.

Anyone with an interest in the graphic arts will relish the chance to immerse themselves in these sumptuous, significant works but on-line too these posters maintain much of their mischief.

Iluzjon runs at the Protein Gallery from October 19 until October 29.

A surrealist poster for the play “Czarna Komedia” by Peter Shaffer. A large lightbulb contains a white figure with a red, brain-like network of veins and a small red head.
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Franciszek Starowieyski: Czarna Komedia (1969)

A Polish film poster for Klute featuring a stylised illustration of a person with long blonde hair and pink trousers. The title “Klute” appears in bold, 3D yellow lettering at the top. The poster lists Jane Fonda and Alan J. Pakula, with further text in Polish. A small circular logo in the hair reads “Produkcja Warner – Columbia”.
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Jan Młodozeniec: Klute (1973)

A surrealist film poster for Death in Venice. A figure wearing a white hat and sunglasses is partially obscured by pink and purple clouds, with a reflection of a person on a beach visible in the lenses. The Polish title “śmierć w wenecji” appears in bold red lettering at the bottom. Text at the top reads “ZŁOTA PALMA NA MFF W CANNES”.
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Maria Ihnatowicz: Smierc W Wenecji (Death in Venice) (1971)

A blue and white poster featuring a stylised silhouette of a person wearing a bowler hat. The face is rendered as a brick wall, set against a backdrop of clouds. Text at the bottom reads “Teatr Klasyczny H. Ibsen” and “Budowniczzy Solness”.
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Waldemar Świerzy: Budowniczy Solness (1971)

A Polish film poster for the movie “Wahadło” featuring a stylised blue and purple illustration of a face. A set of scales is laid over the image, with the central beam forming a vertical line down the centre. Large, bold typography at the bottom reads “WAHADŁO”, with credits for director George Schaefer and actors George Peppard and Jean Seberg.
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Zygmunt Bobrowski: Wahadlo (1971)

An illustration for a film poster featuring a group of stylised figures with large eyes and bold colours. Large typographic text at the top reads “HAREM PANA VOKA”. Smaller text below provides film credits, including the director Karel Steklý.
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Andrzej Krajewski: Harem (1971)

A graphic poster for an exhibition titled “Iluzjon” on a deep purple background. Two hands hold red and yellow eyeballs that float upwards toward the bold, orange title. Text below reads “19th–29th October 2012” and describes the event as “An exhibition celebrating Polish cinema & poster design”. Further details list a private view on 18 October at 18 Hewett Street, London.
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Iluzjion exhibition poster

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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