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The cover of Flaneur magazine features a person holding a black book with Cyrillic text on the cover. The title “Flaneur” is printed in large, bold orange type across the top.

Flaneur explores the magic of Moscow in its biggest issue yet

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Date
27 October 2016

Ricarda Messner, the founder of Flaneur, embodies the fanatical feeling of magazine enthusiasts. Her output of publications is insanely impressive, setting up her second magazine Sofa earlier this year, and consistently pushing boundaries of print through content and design. Returning to her original publication Flaneur, the magazine that presents one street per issue has taken on a wider scope for its sixth release. If you thought it couldn’t get any better – it can.

In their biggest issue yet, the Flaneur family which consists of long time collaborators Studio Yukiko, alongside editors-in-chief Grashina Gabelmann and Fabian Saul explored Russia, succumbing “to Moscow’s original blueprint: the city is made up of orbits”. By concentrating on a borough rather than a street, this issue investigates the Boulevard Ring, an area of districts in central Moscow. As a result this issue spans 190 pages of five chapters, each page full of endless stories of a city bursting with culture, history and conflict. Calling upon artists, authors, photographers and locals to share their inside knowledge, this issue increases the positives of previous Flaneur issues, without losing the original charm.

The features are broad in context but consistently represent the area in question. Whether it be Krill Savchenkov “exploring the cityscape as a training zone for future survival techniques” in Arbatskaya Square, or photographer Ksenia Golubovich “visiting her grandmother’s house in Germany, full of artefacts of her former life in native Moscow”. Studio Yukiko’s art direction and design for this issue envisages the otherworldly characteristics of Moscow and Russia as a whole, appropriating traditional typography against monochrome futuristic pages.

An open book with red and black pages, laid flat against a deep blue background. The pages feature dense columns of text and a bold, abstract black graphic that spans across the center fold.
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Flaneur: Issue 06 Moscow

An open magazine displays a contents page with the word “CONTENTS” repeated in large, bold white type. The layout is split vertically between a muted green left page and a bright orange right page.
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Flaneur: Issue 06 Moscow

An open book displays a page of red text alongside a photograph of a city street. The photo shows a tall building and cars under a bright sky, framed by a red border.
Above

Flaneur: Issue 06 Moscow

An open book displays a series of photographs of city streets and architecture. Each image is framed by a thin, textured red border.
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Flaneur: Issue 06 Moscow

An open book shows a black page with a white line drawing of a city map and a pink page. The pink page features the title “Tverskoy’s Sway” and the credit “Words: Ksenia Golubovich”.
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Flaneur: Issue 06 Moscow

An open book on a dark blue background. The left page is pink with the title “EVERYONE ON THE BOULEVARD RING” and credits for Daniel Trabun and Laura Edelbacher. The right page features a minimalist map of a city ring road with red markers and a detailed legend.
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Flaneur: Issue 06 Moscow

An open magazine spread featuring a black and white collage. A grid of small, identical images is laid over a scene of people in a city, with a line of red text across the right page.
Above

Flaneur: Issue 06 Moscow

An open book shows a dark page with bold red text that reads “Reading the Overwritten”. Below the title, a black and white photograph is paired with credits for Oxana Rudschenko and Igor Mukhin.
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Flaneur: Issue 06 Moscow

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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